Mary Evans (artist)
ụdịekere | nwanyị |
---|---|
mba o sị | Naijiria, Obodoézè Nà Ofú |
aha enyere | Mary |
aha ezinụlọ ya | Evans |
ụbọchị ọmụmụ ya | 23 Febụwarị 1963 |
Ebe ọmụmụ | Lagos |
ọrụ ọ na-arụ | omenkà |
ebe agụmakwụkwọ | Rijksakademie van beeldende kunsten |
Ebe ọrụ | Amsterdam, England |
Ije | contemporary art |
webụsaịtị | http://www.mary-evans.com/ |
Nwere ọrụ na mkpokọta | Rijksmuseum Twenthe, Studio Museum in Harlem |
ikike nwebiisinka dị ka onye okike | Ọrụ nwebiisinka chekwara |
Mary Evans (a mụrụ n'afọ 1963) bụ onye na-ese ihe n'oge a nke bi ma na-arụ ọrụ na England. Ọ na-eji ihe n'isiokwu ya ma ihe nketa Afrịka ya na nkuzi Europe.
Mmalite ndụ na agụmakwụkwọ
dezieA mụrụ Evans na Lagos, Nigeria n'afọ 1963. Mgbe ọ gụsịrị akwụkwọ na St Helens College of Art & Design (1981-82), ọ gụrụ ihe osise maka B.A. ya na Gloucestershire College of Arts and Technology (1982–85), wee nweta M.A. ya na Fine Art na Goldsmiths 'College (1987–89). O mechara mee ihe gbasara ebe obibi na Rijksakademie, Amsterdam (1991–93).
Ọrụ
dezieEvans enwetala ọtụtụ ọrụ dị mkpa, onyinye na ebe obibi, nke gụnyere Smithsonian Artists Research Fellowship, National Museum of African Art, Washington, DC, na 2010.[1] Ọ na-ejikarị akwụkwọ eme ihe dị ka onye na-arụ ọrụ ya, na-emepụta nnukwu ọrụ, nke saịtị - mgbe ụfọdụ na-arutu aka na isiokwu ndị a na-akwụ ụgwọ dị ukwuu, dị ka lynching na Deep South. E gosipụtala ọrụ ya nke ọma na UK, yana mba ụwa - na United States, Netherlands, Mexico na China, gụnyere Farewell to Post-Colonialism na 3rd Guangzhou Triennale na 2008, Port City (2007) na Arnolfini, Bristol, na A Fiction of Authenticity: Contemporary Africa Abroad (2003), Contemporary Art Museum St. Louis .[2][3]
N'ịtụle ihe ngosi ya Cut and Paste (2012, Tiwani Contemporary, London), onye nkatọ Stephanie Baptist dere, sị: "Ihe osise mgbasa ozi ya na-ekpughe ọ bụghị naanị akụkọ ya, kama akụkọ ndị nna nna Afrịka nke a na-adịghị akọkarị. Aga m eji Evans tụnyere griot. Ọrụ a bụ nke dị mkpa, ebe ọ bụ ma ọkọ akụkọ ihe mere eme ma onye na-akọ akụkọ. Ọ na-ebu akụkọ nchịkọta nke obodo nta ahụ, ọdachi na mmeri. Onye na-echeta nwere ike ịkọwa akụkọ ihe mere eme ndị a na-edeghị ede ma kesaa akụkọ ndị a na-akọghị nke ndị a na-akpọghị aha nke nwere ike ichefu. "[4]
N'afọ 2020, e tinyere Evans na ihe ngosi Paper Routes: Women to Watch 2020 na National Museum of Women in the Arts .[5]
Evans bụ onye nkuzi na Central Saint Martins College of Art and Design na London.[3][6]
Ihe ngosi ndị ahọpụtara
dezie- 1993: Mary Evans - Art & Project, Rotterdam
- 1997: Filter, Leighton House, London
- 2000: Because a Fire Was in my Head, South London Gallery, London[7]
- 2000: Continental Shift, Ludwig Forum fur Internationale Kunst, Aachen, Germany[7]
- 2001: Scope, Café Gallery Projects
- 2003: A Fiction of Authenticity: Contemporary Africa Abroad, Contemporary Art Museum St. Louis
- 2005: 5 Continents na 1 City, Museum of Mexico City, Mexico City, Mexico
- 2007: Freedom & Culture, South Bank Centre, London
- 2007: Port City, Arnolfini, Bristol
- 2008: Meditations, Baltimore Museum of Art, Baltimore
- 2012: Cut and Paste, Tiwani Contemporary, London
- 2016: Thousands Are Sailing, EVA International Biennial[8]
Mbipụta
dezie- Filter, London: InIVA na Royal Borough nke Kensington na Chelsea, 1997.
Ebensidee
dezie- ↑ Smithsonian Artist Research Fellowship Program, at Mary Evans website.
- ↑ Exhibition preview on Artnet.Com
- ↑ 3.0 3.1 Mary Evans biography at Tiwani Contemporary.
- ↑ Stephanie Baptist, "Mary Evans | Cut and Paste", Art & Culture, 5 October 2012.
- ↑ Paper Routes : Women to Watch 2020 : National Museum of Women in the Arts : October 8, 2020-January 18, 2021, 38–39. ISBN 9780940979536.
- ↑ Biography of Mary Evans, Religion & Place.. Archived from the original on 2016-03-03. Retrieved on 2022-06-05.
- ↑ 7.0 7.1 Biographical note, Arnolfini.. Archived from the original on 2017-06-22. Retrieved on 2022-06-05.
- ↑ Mary Evans. AWARE Women artists / Femmes artistes. Retrieved on 25 October 2020.
Ọgụgụ ọzọ
dezie- Olu Oguibe, "Studio Call: Mary Evans", Nka: Journal of Contemporary African Art, Number 10, Spring/Summer 1999, pp. 38–39.