Jamaa Fanaka
Jamaa Fanaka (amụrụ Walter Gordon ; Septemba 6, 1942 – Eprel 1, 2012) [1] [2] bụ onye na-eme ihe nkiri America. A maara ya nke ọma maka ihe nkiri 1979 ya, Penitentiary, ma bụrụ otu n'ime ndị isi nduzi nke LA Rebellion film movement.
Jamaa Fanaka |
|---|
| ụdịekere | nwoke  |
|---|---|
| mba o sị | Njikota Obodo Amerika |
| aha ezinụlọ ya | Gordon |
| ụbọchị ọmụmụ ya | 6 Septemba 1942 |
| Ebe ọmụmụ | Jackson |
| Ụbọchị ọnwụ ya | 1 Eprel 2012 |
| asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | Bekee |
| ọrụ ọ na-arụ | onye nhazi ndu ihe nkiri, onye nhazi ederede |
| ebe agụmakwụkwọ | University of California, Los Angeles, UCLA School of Theater, Film and Television, Compton High School, Compton College |
| oge ọrụ ya (mmalite) | 1972 |
Ndụ mmalite na agụmakwụkwọ
dezieA mụrụ Fanaka Walter Gordon nye Robert L. na Beatrice Gordon na Jackson, Mississippi . [3] Na 1971, a nabatara Fanaka n'ụlọ akwụkwọ ihe nkiri na UCLA . Ihe nkiri mbụ ya, Otu ụbọchị na ndụ nke Willie Faust, ma ọ bụ ọnwụ na atụmatụ ntinye, bụ akụkọ omume omume gbara na ihe nkiri 8mm banyere onye na-eri heroin. Ihe nkiri a bụ Fanaka (nke akpọrọ Walt Gordon) na ọrụ aha. Ọ bụ nanị mkpirikpi akụkọ o merela. Jan-Christopher Horak nke UCLA Film Archives, mgbe ọ na-atụnyere ihe nkiri ahụ na ihe nkiri 1972 blaxploitation, Super Fly, wepụtara n'otu afọ ahụ, kwuru, "n'adịghị ka ihe oriri cocaine mara mma nke ụkọchukwu na Super Fly, ogwe aka Willie na-agbapụta ọbara ka ọ na-agbanye heroin." [4]
Ka e mesịrị, ọ gbanwere aha ya ka ọ bụrụ Jamaa Fanaka. Ntongela Masilela na-ekwu na ọ bụ ezie na "ihe bụ isi nke ụlọ akwụkwọ Los Angeles bụ mmegide Hollywood ," Fanaka bụ ihe a ma ama. Ọ kọwara Fanaka dị ka "Hollywood nwere mmasị na ya nke ukwuu ma na-emegide mkparịta ụka echiche na nka nka nke bụ isi na ntọala ụlọ akwụkwọ." [5]
Ọrụ
dezieN'oge ụlọ akwụkwọ ihe nkiri, Fanaka dere, mepụta ma duzie Emma Mae (1974). Ihe nkiri a na-elekwasị anya na otu nwa agbọghọ nke rutere Los Angeles site na Mississippi ka ya na nwanne nne nne ya na ezinụlọ ya biri mgbe nne ya nwụsịrị, ma lanarị ihe ịma jijiji omenala na-eso njem ahụ; Nnọọ n'ụlọ Nwanna Charles (1975), gbasara mbibi na ajọ nsonaazụ nke ịkpa ókè agbụrụ; na Penitentiary (1979), akụkọ banyere otu nwa okorobịa na-ezighị ezi ezigara n'ụlọ mkpọrọ, bụ onye, site na nkà ịkụ ọkpọ ya, nwere ike nweta nnwere onwe ya.
Ihe nkiri
dezie- Otu ụbọchị na ndụ nke Willie Faust, ma ọ bụ ọnwụ na atụmatụ ntinye " (mkpụmkpụ, 1972) [4]
- Nnọọ n'ụlọ Nwanna Charles (1975)
- Emma Mae (1976)
- Ụlọ mkpọrọ (1979)
- Ụlọ mkpọrọ II (1982)
- Ụlọ mkpọrọ III (1987)
- Agha okporo ụzọ (1992)
Ntụaka
dezieomume gbara na ihe nkiri 8mm banyere onye na-eri heroin. Ihe nkiri a bụ Fanaka (nke akpọrọ Walt Gordon) na ọrụ aha. Ọ bụ nanị mkpirikpi akụkọ o merela. Jan-Christopher Horak nke UCLA Film Archives, mgbe ọ na-atụnyere ihe nkiri ahụ na ihe nkiri
- ↑ Jamaa Fanaka, Leading LA Rebellion Film Movement Filmmaker, Dies At 69. Shadow and Act on Cinema of the African Diaspora.
- ↑ King (2011-10-03). The 'L.A. Rebellion' returns. Los Angeles Times. Retrieved on 2011-10-05.
- ↑ Phelps (1998). Who's Who Among African Americans, 11th, Detroit: Gale Research, 405. ISBN 0-7876-2469-1.
- ↑ 4.0 4.1 Horak (2011). A Day in the Life of Willie Faust, or Death on the Installment Plan (1972). UCLA Film & Television Archive. Retrieved on 2011-11-14. “Jamaa Fanaka’s first project plays off the Blaxploitation’s genre conventions, an adaption of Goethe’s “Faust” presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest’s elegant cocaine consumption in Super Fly, Willie’s arm gushes blood as he injects heroin. A morality tale in two reels.”Horak, Jan-Christopher (2011). "A Day in the Life of Willie Faust, or Death on the Installment Plan (1972)". Los Angeles, California: UCLA Film & Television Archive. Retrieved 2011-11-14.
Jamaa Fanaka's first project plays off the Blaxploitation's genre conventions, an adaption of Goethe's "Faust" presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest's elegant cocaine consumption in Super Fly, Willie's arm gushes blood as he injects heroin. A morality tale in two reels.
Kpọpụta njehie: Invalid<ref>tag; name "LAR-Faust" defined multiple times with different content - ↑ Masilela (1993). "The Los Angeles School of Black Filmmakers", in Diawara: Black American Cinema. New York, London: Routledge, 115.
Njikọ mpụga
dezie- Jamaa Fanaka na IMDb
