Wikipedia

Shaheen Merali

A mụrụ Merali na 1959 na Tanganyika, nke a maara ugbu a dị ka Tanzania.[1] Ezinụlọ ya hapụrụ India wee bịarute Tanganyika na mmalite narị afọ nke 20 dị ka akụkụ nke mgbasa ozi ndị Britain na-achị iji nyochaa ịchọpụta amụma ọrụ nke colonial na-agbaso amụma ọrụ ya. E zigara ndị ọrụ South Asia n'Ebe Ọwụwa Anyanwụ Africa iji nyere aka n'ịkwalite mmepe obodo na mmepụta nke ókèala East Africa.[1] Nne Merali mụrụ na Mombasa, Kenya, na nna ya mụrụ na Mwanza, Tanganyika. Afọ iri ka nnwere onwe gasịrị, ezinụlọ Merali bịara UK dị ka ndị Britain na-achị. Merali, onye dị afọ 11 mgbe ahụ, na ezinụlọ ya gara biri na Borough nke Enfield, North London. Merali gara ụlọ akwụkwọ Arnos wee mesịa kọleji Southgate. Ọ mechaa nkuzi ntọala ya na nka na nka na Barnet College. Mgbe ọ gụsịrị akwụkwọ, ọ gara Gwent College of Education, nke a na-akpọ ugbu a dị ka Gwent College, Newport, bụ ebe ọ gụrụ akwụkwọ na nkà mmụta ihe ọkpụkpụ. Mgbe ọ gụsịrị akwụkwọ, Merali gara n'ihu na-ebi na Newport ruo otu afọ ọzọ mgbe ya na ndị na-eto eto na-arụ ọrụ na obodo, na-elekwasị anya na ụlọ obibi.

Shaheen Merali
Born1959
Tanzania
NationalityBritish
Education1986 Adult Education, Willesden College of Technology, London

1982 B.A. (Hons.) Fine Art (Sculpture), Gwent College of Further Education, Wales

1979 Foundation Course, Barnet College, London
Occupationcurator, critic, writer, artist

Dị ka onye na-eme ihe ngosi na Haus der Kulturen der Welt, Merali haziri ọtụtụ ihe ngosi na akwụkwọ ndị ọ dezigharịrị, gụnyere The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; na Re-Imagining Asia, [1] One Thousand Years of Separation. [2] Merali bụ onye na-ahụ maka 6th Gwangju Biennale, Korea (2006) na onye na-elekọta Berlin Heist ma ọ bụ mmasị na-adịgide adịgide nke obodo ndị nwere mgbidi maka 4th Mediations Biennale. [3][4]

N'afọ 1988, Merali guzobere Panchayat Arts Education Resource Unit na gburugburu Spitafields Market. Ọrụ bụ isi nke Ngalaba ahụ bụ otu n'ime ịnakọta ihe ndị na-adịghị adịte aka, akwụkwọ na mbipụta.[1] Nchịkọta ahụ nyere ihe nyocha iji gosipụta njikọ dị n'etiti nka nke oge a na nke oge a site na omume ncheta nke lekwasịrị anya n'ọrụ nke ndị na-ese ihe na United Kingdom na mba ụwa.[5] E nyere ihe ndekọ Panchayat ma bụrụzi akụkụ nke Ọbá Akwụkwọ Tate Special Collection na London.[5]

Mbido ndụ na agụmakwụkwọ

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A mụrụ Merali na 1959 na Tanganyika, nke a maara ugbu a dị ka Tanzania.[6] Ezinụlọ ya hapụrụ India wee rute Tanganyika na mbido narị afọ nke 20 dị ka akụkụ nke mkpọsa ndị Britain na-achị iji nyochaa iwu ọrụ ya na-agbaso iwu ọrụ ya. E zigara ndị ọrụ South Asia n'Ebe Ọwụwa Anyanwụ Afrịka iji nyere aka n'ịga n'ihu n'ime obodo na mmepụta ihe nke mpaghara Ọwụwa anyanwụ Afrịka.[1] A mụrụ nne Merali na Mombasa, Kenya, a mụrụ nna ya na Mwanza, Tanganyika. Afọ iri mgbe nnwere onwe gasịrị, ezinụlọ Merali bịara UK dị ka ndị Britain. Merali, onye dị afọ iri na otu n'oge ahụ, na ezinụlọ ya biri na Borough of Enfield, North London. Merali gara ụlọ akwụkwọ Arnos ma mesịa gaa kọleji Southgate. Mgbe ahụ, ọ gụsịrị akwụkwọ Foundation Course na Art na Design na Barnet College. Mgbe ọ gụsịrị akwụkwọ, ọ gara Gwent College of Education, nke a maara ugbu a dị ka Gwent College, Newport, ebe ọ gụsịrị akara ugo mmụta na ihe ọkpụkpụ. Mgbe ọ gụsịrị akwụkwọ, Merali gara n'ihu biri na Newport maka otu afọ ọzọ nke ya na ndị okenye na-eto eto na-arụ ọrụ na ọrụ obodo, na-elekwasị anya na ụlọ.

Ọrụ

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Merali pụtara dị ka onye na-ese ihe na 1980s. N'ọrụ nka mbụ ya, ihe ọ họọrọ bụ ise ihe, collage na batik.[6] Ịrụ ọrụ na batik mere ka onye na-ese ihe nwee ike ịjụ ọdịiche dị n'etiti "nkà" na "ọrụ", site n'itinye nke ikpeazụ n'ime oghere nke ngosi gallery a raara nye 'nkà dị mma'. Nzukọ ọzọ Merali lụrụ ọgụ bụ otu n'ime ọrụ ịchọ mma nke batik: ọrụ nka ya na-agbanye mgbe niile na akụkọ onwe onye, mmekọrịta mmadụ na ibe ya na ndọrọ ndọrọ ọchịchị.[1] Site n'ọrụ batik, Merali gbanwere gaa na mgbasa ozi ngwakọta, vidiyo na nka ntinye.

Mgbe ọ laghachiri London, Merali gara n'ihu na-arụ ọrụ na ndị okenye na ụmụaka na ngalaba agụmakwụkwọ na nke na-abụghị nke gọọmentị, gụnyere ụlọ akwụkwọ, ọrụ obodo na ụlọ ọrụ ndị omempụ na-eto eto.[1] N'ikpeazụ, site na nkwado nke Haringey Arts Council, ọ haziri ogbako na gallery na-agbanwe agbanwe a na-akpọ One Spirit Batik Centre na Wood Green na-ahụ maka ịrụ ọrụ na ndị na-eto eto nwere nkwarụ nwere Bekee dị ka asụsụ nke abụọ.[6] N'agbata afọ 1990 na 1991, Merali haziri ihe ngosi nke Chila Kumari Burman na Tam Joseph, yana ihe ngosi nke ndị na-ese ihe si Soweto, South Africa na ndị na-ebi akwụkwọ si Havana, Cuba. N'ihi ya, a kpọrọ ya ka ọ gosipụta ọrụ nke ya na Mahadum nke West Indies, ebe a haziri ihe ngosi otu onye ya na kọntaktị nke Don Cherry. Na mbido afọ 1989, Merali zutere ndị nlekọta na ndị nduzi nke 3rd Havana Biennale na-abịanụ, gụnyere Geraldo Mosquera na Liliane Llanes.[7] Ha mejupụtara atụmatụ Merali nke itinye aka na ndị omenkà ojii na ndị Eshia ise, ndị bi na Britain mana ha si na diaspora zuru ụwa ọnụ, ka a tinye ha n'ihe bụ, ruo mgbe ahụ, Southern World biennale. Mgbe ọ laghachiri na Cuba na 1988, Merali haziri ọrụ nke ndị omenkà ise ahụ, Sonia Boyce, Allan de Souza, Pitika Ntuli na Keith Piper n'akụkụ ọrụ nke ya ka egosiputa na Museo Nacional de Bellas Artes na Havana, yana na Institute of Education, London. Ahụmahụ ahụ na Havana kwadoro mmekọrịta ọrụ nke ime ihe ngosi na ohere nke idebe site na nhazi.

Merali na-etinye aka na agụmakwụkwọ obodo gosipụtara onwe ya ohere ndị ọzọ: na 1988 ọ sonyeere otu ndị na-ese ihe, Bhajan Hunjan, Symrath Patti, Allan de Souz na Shanti Thomas, bụ ndị zutere na Slade School of Art iji kwurịta ohere nke nzukọ n'ụzọ ego onwe onye.[1] Merali na de Souza wepụtara onwe ha ma ghọọ ndị nchịkwa na-ahụ maka Panchayat Arts Education Resource Centre. Nzukọ ahụ na-etinye aka na mbipụta, ihe ngosi na ogbako, yana ọrụ ya bụ isi nke ịnakọta ihe dị ka ndekọ nke oge ndị ahụ. Panchayat lekwasịrị anya na njikọ na-eto eto nke ndị Black na ndị na-ese ihe n'Eshia na ụwa nka zuru ụwa ọnụ, yana idekọ okwu ha metụtara njikọ dị n'etiti agbụrụ, klas, okike, mmekọahụ ndị uwe ojii na ikike (dis). [1] N'afọ 2015, e nyere Nchịkọta ahụ dị ka onyinye nye Ọ́bá Akwụkwọ Tate. [5]

N'otu oge ahụ na ọrụ nchọpụta na nchekwa ihe ochie, Merali haziri Crossing Black Waters na City Gallery, Leicester, nke gara South London Gallery, Cartwright Hall, Bradford, Oldham Gallery na Museum, na-eme ka ọ bụrụ oge mbụ na oghere ndị a gosipụtara ọrụ nke ndị na-ese ihe si India, Pakistan na ndị bi na UK. Merali gara n'ihu na-ahụ maka Extreme Unction, HIV / AIDS, RACE / ETHNICITY, ihe ngosi mbụ nke ndị na-ese ihe, gụnyere Paul Pfeiffer na Ken Chu, sitere na US na Canada bụ ndị na-enyocha ma ọrụ na ọdịbendị nke HIV / AIDS. Njikọ ya na ndị na-ese ihe si US na Canada gara n'ihu site na ịgwọta mpaghara / akụkọ ihe mere eme na A Space, Toronto na Lethaby Gallery, London.

N'afọ 2000, n'otu afọ ahụ Panchayat meriri oku maka Rich Mix Project, [1] Merali jikọtara Slow Release na Bishopsgate Goodsyard, London, nke gụnyere ọrụ ọhụrụ nke Edwina Fitzpatrick na ntinye nke Dinh Q Le na Simryn Gill. Merali gara n'ihu n'ọrụ ya dị ka onye na-ese ihe, na-ekere òkè na ihe ngosi otu, dị ka Out of India, Queens Museum, nke Jane Farver haziri, na Transforming the Crown, Bronx Museum of Art, nke Mora Beauchamp-Byrd haziri (lee Artistic practice). Site na mmepe nke ọgwụgwọ dị ka omume na ihe ngosi nke na-ewetara ya nkwenye curatorial, nsogbu nke ndị na-ese ihe ịbụ ndị nlekọta na vice versa pụtara. N'ịgbaso akwụkwọ, dị ka Eddie Chambers' Crowning folly na Art Monthly, Merali kpebiri izere esemokwu nwere ike ịpụta mgbe ndị nlekọta na-elekọta ọrụ nke ha. N'achọghị ịkọwa ndị ọzọ site n'omume nke onwe ya, Merali lekwasịrị anya na curatorial. Ka ọ na-erule n'oge ahụ, Merali amalitelarị ịkụzi ihe na Saint Martins's School of Art na Mahadum Westminster, na 2003 e nyere ya ọkwa na Haus der Kulturen der Welt.

Mgbe ọ kwagara Berlin, Merali na mbụ rụrụ ọrụ na mmemme nke nnukwu ihe ngosi abụọ: DisORIENTation nke Jack Persekian haziri; na Body City na Geeta Kapour na Jyotinder Jain. N'oge nkwekọrịta afọ ise ya na HKW, na 2006 e nyere Merali ikike ime nchọpụta na ịrụ ọrụ na Prọfesọ Wu Hung na 6th Gwangju Biennale. Merali wee nọrọ oge dị ukwuu n'etiti Berlin na Korea, na-eme nchọpụta ma na-arụkọ ọrụ na ndị ọrụ biennale, na-ele anya na ndị na-ese ihe na ndị na'ese ihe n'Eshia na-arụ ọrụ banyere Eshia.[3] Mmekọrịta ọrụ ya na Prọfesọ Wu Hung gara n'ihu na Mahadum Chicago, ebe ha jikọrọ aka chepụta Re-Imagining Asia - A Thousand Years Of Separation . [8] Ọzọkwa, Merali, Wu Hung na Christopher Philips rụkọrọ ọrụ ọnụ maka ntinye Berlin nke ihe ngosi akụkọ ihe mere eme Between Past and Future, nke malitere na ICP, New York, wee gaa HWK, Berlin, na n'ikpeazụ na V&A, London.[9]

N'afọ 2008, mgbe nkwekọrịta ya na HWK kwụsịrị, a gwara Merali ka ọ chepụta ma nye aka na gallery ọhụrụ na Berlin maka Bodhi Group, nke nwere oghere na Mumbai, Singapore na New York.[10] Ya na ndị na-ahụ maka teknụzụ n'ógbè ahụ rụkọtara ọrụ iji mepụta oghere gallery buru ibu n'akụkụ gallery ise ndị ọzọ nke a maara dị ka BodhiBerlin, nke na-anọchite anya ndị na-ese ihe gụnyere Shilpa Gupta, Subodh Gupta na Jitish Kallat.

Merali gara n'ihu na-arụ ọrụ na Europe, Eshia na America na ihe ngosi na Tokyo Gallery, Budla Gallery, Kunstagenten Gallery, Berlin, Birla Academy of Art & Culture, Kolkata; Castrum Peregrini, Amsterdam; Brot Kunsthalle, Vienna; Arario Gallery, New York; Freies Museum, Berlin, wdg (lee Curatorial Practice). N'oge a, Merali na-arụ ọrụ na ndị na-ese ihe si Iran, Palestine, India na diasporas ya. N'afọ 2014-2015, ọ kwadoro ihe ngosi nke 4th Mediations Biennale, Poland.[4]

1989

Omume nlekọta

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1989-2003: Nnwere Onwe

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  • Ịdị iche nke akara, Bloomsbury Gallery, Institute of Education, London. Mụ na Sonia Boyce, Keith Piper, Allan de Souza, Pitika Ntuli.[11]
  • Ndị Black British Artists ise, Havana Biennale, Cuba. Ntinye aka mbụ site n'aka ndị Black na-ese ihe si Europe na Havana Biennale. Gụnyere òkè nke Sonia Boyce, Keith Piper, Allan de Souza, Pitika Ntuli, a.[12]
  • Siting Resistance, Embassy Cultural House, London, Ontario, Canada. Ọ bụ Jamelie Hassan, Ron Banner malitere ya, ya na ọrụ Sonia Boyce, Keith Piper, Allan de Souza, Pitika Ntuli.
  • Ihe ngosi otu si South Africa na ndị na-ese ihe nwere ikike (Dis), One Spirit Gallery, Haringey, London.[13]
  • Ihe ngosi otu onye nke Chila Kumari Burman, One Spirit Gallery, Haringey, London.[1][13]
  • Ihe ngosi otu onye nke Tam Joseph, One Spirit Gallery, Haringey, London.[1][13]
  • Crossing Black Waters, City Gallery, Leicester; Cartwright Hall, Bradford; Oldham Art Gallery and Museum, Oldham; South London Art Gallery, London. Ndị na-ese ihe na UK: Said Adrus, Manjeet Lamba, Nina Edge, Bhajan Hunjan, Samena Rana; ndị na-ese egwu na India: Anand Moy Banerji, Sushanta Guha, Arpana Caur, Sashidaran; ndị na'ese egwu na Pakistan: Quddus Mirza, Anwar Saeed. Ya na Allan de Souza na-edozi ya.[14]

1993

  • Forensic Fictions, ICA, London. Ya na Stuart Taylor na-arụkọ ọrụ.

1994

  • Extreme Unction, HIV/AIDS, RACE/ ETHNICITY, The Garage, Hoxton, East London. Egwuregwu na ntinye nke ndị na-ese ihe na Asia America Dan Kwong, Monica Chau, Paul Pfeiffer na Ken Chu / onye na-ese egwu na Scotland Alistair Maclennan. Ihe ngosi nke ndị na-eme ihe nkiri Asia American na National Film Theatre gụnyere Tran T.Kim Trang.

1995

  • Samena Rana, Diorama Centre, London. Ihe ngosi mgbe ọ nwụsịrị na ikike na foto.[15]
  • Insurgent Voices, Gallerie 101, Ottawa, Canada. Ndị na-ese ihe n'Eshia America na-arụ ọrụ na HIV / AIDS, RACE / ETHNICITY. Ntinye nke Ming Ma & Ken Chu na ọrụ vidiyo nke Tran T. Kim Trang.

1996

  • Creative Futures Festival, Mahadum Westminster.
  • Richard Graville, Commercial Gallery, London.
  • Clare Robins, Commercial Gallery, London.
  • Mmekọahụ na ọtụtụ ya, Watermans Arts Centre, London. Ihe ngosi vidio gbasara nwoke. Ndị na-ese ihe: Ming Ma, ManAct, Michael Petry, Keith Piper, Sarbjit Samra. Ya na Jeremy Mulvey na-ahụ maka ya.

1997

  • Videobox, Mahadum nke Westminster Gallery, London. Ọrụ vidiyo site n'aka ndị Black na ndị na-ese ihe n'Eshia site na ebe nchekwa Panchayat.
  • Foreign Vienna, University of Westminster Gallery, London. Ihe ndekọ foto nke ọnụ ọgụgụ na-agbanwe agbanwe nke Vienna.

1998

  • Xenographic Views, Lisl Ponger, Central Saint Martins College of Art and Design, MA Space, London.

1999

  • unbound geographies / agwakọta akụkọ ihe mere eme, A Space, Toronto; The Lethaby Gallery, Central Saint Martins College of Art and Design, London. Ndị na-ese ihe: Simon Tegala, Tanya Syed, Jin-Min Yoon, Enam Huque. Ya na Shelly Bahl na Marilyn Jung na-edozi ya.[16]

2000

  • Slow Release, Bishopsgate Goodsyard, London. Kọmitii ndị a kapịrị ọnụ gburugburu echiche nke ogige ahụ. Ndị na-ese ihe: Edwina Fitzpatrick, Simryn Gill, Dinh Q. Le. Ya na Janice Cheddie, Sharmini Pereira na Sally Tallant.

2001

  • Ndị na-ese ihe n'ógbè ahụ, AI-Saqi Bookshop, London, ihe ngosi nke ndị na-ese egwu mba ụwa bi na London W2. Ndị na-ese ihe: Anna Thew, Robert Taylor, David Medalla, Caryle Reedy, Tina Keene. Ya na Mai Ghossoub na-ahụ maka ya.
  • Martin, Spitz Gallery, London. Ụmụ akwụkwọ gụsịrị akwụkwọ, Central Saint Martins.

2002

  • Ford, Oxford House, Ashley Gardens na 1&1, Three East London gallery. Ụmụ akwụkwọ gụsịrị akwụkwọ, Central Saint Martins School of Art and Design.

2006

  • Ọgọst 9 - Nọvemba 11. The Sixth Gwangju Biennale 2006: Ọrịa ọkụ, Isi nke Mbụ. Gwangju Biennale Hall, Gwangju. Chief Curator Wu Hung, ya na Curators Shaheen Merali na Binghui Huangfu na Collaborating Curator Jacquelynn Baas. Ndị na-ese ihe: Lida Abdul, Lise Autogena & Joshua Portway, Thomas Bayrle, Dove Bradshaw, Chen Chieh-jen, Choi Jung Hwa, Choi Min Hwa, David Hammons, Hong Lei, Michael Joo, Jitish Kallat, Akio Kamisato/Satoshi Shibata/Takehisa Mashimo, Kim Jong-ku, Sang Sang, Sun Khas, Yanah Q. Le, Lee Lee Lee Lee Zhh, Lee Lee, Lee Lee Zhi, Lee Lee Sigh, Lee Lee Ufan Man Man Man, Zhhhh, Zh, Zhihi, Zuan, Zh Men, Zh Man Man Man Zh, Zhang Zh, Hung, Zhi, Zhier, Zhi Man Man Man. Zhi, Chan, Zhi Zhi, Zhang Zhu, Zh. Zh, Chan, Chan, Zhang Zhi, Hung, Chan, Hung, Zhang Zht, Zhi. Zhihihi, Chan Chan, Zh Sh Sh Sh Sheng, Z, Zhijar, Zh N, Zhi[17]

2003-2008: Haus der Kulturen der Welt

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  • 2004 The Black Atlantic - Ọdịbendị Na-agagharị agagharị, Akụkọ Ihe Mere Eme, Njirimara Networked, Onye Nlekọta Ihe ngosi. Ndị na-ese ihe: Isaac Julien, Keith Piper, Lisl Ponger, Tim Sharp.[18][19]
  • 2005 Dreams and Trauma - emume ihe nkiri na ihe oyiyi na-agagharị agagharị, ihe ngosi nke ndị omenkà iri na abụọ sitere na Palestine na Israel, Ihe ngosi na Onye Nchịkwa Ihe nkiri. Ndị na-ese ihe: Guy Ben-Ner, Yael Bartana, Ori Gersht, Talia Keinan, Sigalit Landau, Sharone Lifschitz, Rashid Masharawi, Rosalind Nashabishi, Nira Pereg, Karen Russo, Ruti Sela & Maayan Amir, Doron Solomons na Tanya Ury.[20]
  • 2007 New York States Of Mind - Art And The City, Exhibition and Film Curator. Ndị na-ese ihe: Iona Rozeal Brown, Ian Burns, Laura Carton, Carolina Caycedo, CUP, Marcel Duchamp, Rainer Ganahl, Hans Haacke, David Hammons, Jonathan Horowitz, Tehching Hsieh, Kim Jones, Jon Kessler, Mark Lombardi, Mary Ellen Mark, Sarah Morris, Gordon Matta-Clark, Josephine Meckseper, Ana Mendieta, William Pope.L, Printed Matter, Inc., Elaine Reichek, Carolee Schneemann, Ward Shelley, Tavares Strachan, Kehinde Wiley, Fred Wilson, Jordan Wolfson, Terence Koh, Nikki S. Lee, Patty Chang.[21][22]
  • 2008 Re-Imagining Asia - A Thousand Years Of Separation, Film Curator na Exhibition Co-curator na Wu Hung. Ndị na-ese ihe: Chiho Aoshima, Parastou Forouhar, Subodh Gupta, Andreas Gursky, Ikeda Manabu, Michael Joo, Johannes Kahrs, Bharti Kher, Kim Jongku, Kimsooja, Sun K. Kwak, Dinh Q. Lê, Miao Xiaochun, Ujino Muneteru, Gabriel Orozco, Rashid Rana, Ki-bong Rhee, Takako Saito, Shenomin, Shi Jinsong, Song Dong, Rirkrit Shavanija. [1][8]

Ihe osise Bodhi 2008

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  • Frontlines: Nkọwa sitere na Contemporary India Urban, BodhiBerlin. Ndị na-ese ihe: Subodh Gupta, Atul Dodiya, Zarina Hashmi, Jitish Kallat, Riyas Komu, Valsan Kolleri, Nataraj Sharma.[10]
  • Shilpa Gupta: Blindstars, Starsblind, BodhiBerlin.[23]
  • Ebe ọ bụla bụ Agha (na asịrị banyere agha), BodhiMumbai. Ndị na-ese ihe: Subodh Gupta, Jitish Kallat, Hema Upadhyay, Bharti Kher, Francesco Clemente, Riyas Komu">Jon Kessler, Sara Rahbar, Zarina Hashmi, ShilpaSubodh Gupta Raghavan, Pablo Bartholomew, Rashid Rana, Sumedh Raghavan. Alicia Framis, Reena Kallat, Chitra Ganesh, Jaishri Abichandnama, Anita Dube, Rina Banerjee,Jitish Kallat Anju, V V V Vhan, Baich, Vari[24]
  • The Urban Spiel - ọmụmụ nke ihe ọkpụkpụ na ihe, BodhiBerlin. Ndị na-ese ihe: Paul Eachus, Rob Voerman na Sumedh Rajendran. [25]
  • Nataraj Sharma na N.S. Harsha na abc art berlin contemporary, BodhiBerlin.
  • Jitish Kallat: Nkwupụta Ọha 2, BodhiSingapore.[26]
  • Riyas Komu: Ndepụta metụtara ya, BodhiBerlin.[27]

2009

  • Indian Popular Culture and Beyond, Alcalá 31, Madrid. Ndị na-ese ihe: Jaishri Abichandani, Shezad Dawood, CK Rajan, GR Iranna, Riyas Komu, Prasad Raghavan, Sara Rahbar.[28]
  • The Augmented Flaws, Kunstagenten Gallery, Berlin. Ndị na-ese ihe: Daniele Buetti, Rajkamal Kahlon, Jon Kessler, Leila Pazooki.
  • The Dark Science of Five Continents, Gallery BMB, Mumbai. Ndị na-ese ihe: Jake na Dinos Chapman, Tunga, George Osodi, Riyas Komu, Jon Kessler, Wang Qingsong.[29]
  • Eerie na languid, Artisterium09, National Museum Tbilisi, Georgia. Onye na-ese ihe: Laleh Khorramian, Carlos Amorales, Jean-Gabriel Périot.[30]
  • Nkwa nke Mfu: ndepụta nke oge a nke Iran, Brot Kunsthalle, Vienna. Ndị na-ese ihe: Samira Abbassy, Iman Afsarian, Asgar/Gabriel, Masoumeh Bakhtyari, Shahram Entekhabi, Parastou Forouhar, Shadi Ghadirian, Babak Golkar, Peyman Hooshmandzadeh, Abbas Kowsari, Mandana Moghaddam, Amin Nourani, Sara Rahbar, Neda Razavipour, Behrang Samadzadegan, Rozita Sharafjahan, Jinoos Taghizadeh.[31]

2010

  • Nkwa nke Mfu: ndepụta nke oge a nke Iran, Arario Gallery, New York. Ndị na-ese ihe: Samira Abbassy, Iman Afsarian, Asgar/Gabriel, Masoumeh Bakhtyari, Shahram Entekhabi, Parastou Forouhar, Shadi Ghadirian, Babak Golkar, Peyman Hooshmandzadeh, Abbas Kowsari, Mandana Moghaddam, Amin Nourani, Sara Rahbar, Neda Razavipour, Behrang Samadzadegan, Rozita Sharafjahan, Jinoos Taghizadeh.[32]
  • Never Run Away, Stux Gallery, New York. Ndị na-ese ihe: Reena Kallat, Sara Rahbar . [33]
  • East City: Kolkata Tupu mkpọsa ahụ, Birla Academy of Art & Culture, Kolkata. Onye na-ese ihe: Leena Kejriwal.[34]
  • Nchebe maka Ìhè, Azad Gallery, Tehran. Onye na-ese ihe: Riyas Komu.[35]
  • 3 Olu n'isi m, Freies Museum, Berlin. Ndị na-ese ihe: Ulrich Volz, Yvette Mattern, Gregg LeFevre. [36]
  • The Stalking of Absence (vis-à-vis) Iran, Tokyo Gallery + BTAP, Tokyo. Ndị na-ese ihe: Reza Abedini, Matilda Aslizadeh, Bahar Behbahani, Ramesch Daha, Sarah Dolatabadi, Ghazel, Raha Rastifard, Newsha Tavakolian.[37]
  • The 11th Hour, An Exhibition of Contemporary Art from India/Diaspora, Tang Contemporary, Beijing. Ndị na-ese ihe: Tariq Alvi, Madhu na Hazra Chitrakar, Shilpa Gupta, Tushar Joag, The Otolith Group, Baiju Parthan, TV Santosh, Tejal Shah, Sudharsan Shetty, Thukral & Tagra.[38]
  • Cinema Verite Redux, Sumukha Gallery, Bangalore. Ndị na-ese ihe: Subba Ghosh, Ravi Kashi, Attila Richard Lucas, Parvathi Nayar, Charly Nijensohn, Prasad Raghavan, Marina Roy. [39]
  • E wezụga Paris, Birla Academy of Arts and Culture, Kolkata. Ndị na-ese ihe: Narayanan Akkitham, Sujata Bajaj, Madhu Mangal Basu, Maya Burman, Sakti Burman, Utpal Chakraborty, Anju Chaudhuri, Rajendra Dhawan, Lakshmi Dutt, Debesh Goswami, Bhawani Katoch, Gadadhar Ojha, Sharmila Roy Pommot, S.H. Raza, Inderjeet Sahdev, Nitin Shroff, Jiwan Singh, Viswan Veluadhan.
  • Abụọ karịrị akarị, Freies Museum, Berlin. Ndị na-ese ihe: Hassan Hajjaj na Zak Ové. [40]
  • Ịhụnanya siri ike: usoro nkwa, Plataforma Revólver, Lisbon. Ndị na-ese ihe: Samira Abbassy, Arahmaiani, Marc Bijl, Cecília Costa, Agathe de Bailliencourt, Nezaket Ekici, Mathias Herrmann, Gregg LeFevre, Zak Ové, K P Reji, Isabel Ribeiro, Jinoos Taghizadeh.[41]
  • The Archivists" Impatience, The LOFT, Mumbai. Ndị na-ese ihe: Daniel G. Andújar, Pablo Bartholomew, Leila Pazooki, Jean-Gabriel Périot.[42]
  • Onye iro ọha na eze nke 1, Ihe ngosi 320, New Delhi. Ndị na-ese ihe: Gordon Cheung, Radhika Khimji, Prasad Raghavan, Iona Rozeal Brown, Mithu Sen.[43]

2011

  • mgbe ọnwa na-edina, oké osimiri na-ebe ákwá ma na-eme njem ọchịchịrị na-ebibi ihe mebiri emebi, India Art Summit, New Delhi. Ndị na-ese ihe: Madhu Mangal Basu, Koumudi Patil, Raha Rastifard, Sandip Pisalkar, Priti Vadhakkath, Nandan Ghyia.
  • Ebe ndị Entropic, Shrine Empire, New Delhi. Onye na-ese ihe: Leena Kejriwal.[44][45]
  • Banyere Iran, The Guild, Mumbai. Ndị na-ese ihe: Amin Nourani, Barbad Golshiri, Farideh Lashaei, Mitra Tabrizian, Mohammad Hossein Emad, Peyman Hooshmandzadeh, Shirin Neshat . [46]
  • Ahụrụ m nke a na-adịghị ahụ anya, Azad Gallery, Tehran. Onye na-ese ihe: Leena Kejriwal.[47]
  • Weltanschauung (Iranian) , Freies Museum, Berlin. Ndị na-ese ihe: Mehraneh Atashi, Navid Azimi Sajadi, Mahmood Bakhshi, Masoumeh Bakhtiary, Majid Fathizadeh, Parastou Farouhar, Farhad Fozouni, Ghazaleh Hedayat, Taha Heydary,Farideh Lashaei, Katayoun Karami, Aria Kasaei, Majid K. Behesti, Azadeh Madani, Amir Mobed, Mehran Mohajer, Masoeh Mozafehita, Homan Nobakht, Sara Roohise, Farh, Mahadhadhadhad, Farh.[48]
  • Nkọwa nke ibu nwụrụ anwụ ma ọ bụ "Olee otu onye si bụrụ ihe ọ bụ" (Nietzsche), THE LOFT, Mumbai.

2012

  • The International, dị ka akụkụ nke Odyssey, afọ 45 na nchịkọta, Birla Academy of Art & Culture, Kolkata. Ndị na-ese ihe: Jean Arp, Maurice Golubov, Nicholas Roerich, Louise Bourgeois, Olle Beartling, Adolf Fleischmann, Andre Masson, Amrita Sher-Gil, Augustus Rodin, Gustav Klimt, Pablo Picasso, Hedde Sterne.
  • Mgbe Ime Ihe Ike Na-emebi, Freies Museum, Berlin. Ndị na-ese ihe: Sarnath Banerjee, Binu Bhaskar, Rajib Chowdhury, Samit Das, Natasha de Betak, Probir Gupta, Rajkamal Kahlon, Jitish Kallat, Leena Kejriwal, Simit Raveshia.[49]
  • Indian Parallax, Birla Academy of Art & Culture, Kolkata. Ndị na-ese ihe: Shebba Chhacchi, Remen Chopra, Vibha Galhotra, Probir Gupta, Jitish Kallat, Reena Kallat, Chittrovanu Mazumdar, Manish Nai, Mithu Sen, Hema Uppadhyay.[50]
  • Refraction: Moving Images on Palestine, P21 Gallery, London. Ndị na-ese ihe: Mohammad Al-Hawajri, Kamal Aljafari, Tayseer Barakat, Mike Hoolboom, Khaled Hourani, Khaled Jarrar, Josh Jones, kennardphillipps, Inzajeano Latif, Manal Mahamid, Laila Shawa, Nasser Soumi, Tarzan na Arab.[51]

2013

  • (Mgbe) Ịhụnanya na Last Sight, Nezaket Ekici Solo Exhibition, Pi Artworks, London.[52]
  • Na-ekwu okwu site n'obi - The Polemic Sensibility from Iran, Castrum Peregrini, Amsterdam, the Netherlands. Ndị na-ese ihe: Mehraneh Atashi, Navid Azimi Sajadi, Mahmood Bakhshi, Masoumeh Bakhtiary, Majid Fathizadeh, Parastou Forouhar, Farhad Fozouni, Ghazaleh Hedayat, Taha Heydary, Melodi Hosainzadeh, Katayoun Karami, Aria Kasaei, Majid Korang Beheshti, Amir Mobed, Mehran Mohajer, Masoumah Moza, Homan Nobadeh, Sara Rozafat, Samafehei, Rozjahan Mhtamad.[53]
  • Mgbe Ime Ihe Ike Na-emebi, ACC Gallery Weimar, Germany. Ndị na-ese ihe: Sarnath Banerjee, Binu Bhaskar, Rajib Chowdhury, Samit Das, Natasha de Betak, Probir Gupta, Rajkamal Kahlon, Jitish Kallat, Leena Kejriwal, Simit Raveshia . [54]

2014

  • Fragile Hands, edemede curatorial na isiokwu ndị a kpọtụrụ aha. Mahadum nke Applied Arts, Heilingenkreuzer Hof, Refektorium na Sala Terrena, Vienna, Austria. Ndị na-ese ihe: Mohammed Al-Hawajri, Palestine/Masoumeh Bakhtiary, Iran/Binu Bhaskar, India/ Madhu und Hazra Chitrakar, India/ Rajib Chowdhury, India/ Ramesch Daha, Austria & Iran/ Natasha de Betak, France & India/ Majid Fathizadeh, Iran/ Debesh Goswami, India & Probir Gupta, India/ Ghazaleh Hedayat, Iran/ Ta Ta Her Her Her Herma, India, Man Man Man Man / Jar Jar Jar Jar Man Man Man/ UK[55][56][57]
     
    Mkpịsị aka na-adịghị ike 2014
     
    Aka Ndị Na-adịghị Amamihe
  • Berlin Heist, ihe na-adọrọ mmasị na-adịgide adịgide na obodo ndị e wusiri ike, 4th Mediation Biennale, Where Somewhere Becomes Here. Ndị na-ese ihe: Anonymous, Kader Attia, Marc Bijl, Nezeket Ekici, Azin Feizabadi+, Thomas Florschuetz, Carla Guagliardi, Johannes Kahrs, Jonathan Meese, Leila Pazooki, Julian Rosefeldt, Esra Rotthoff, Enis Rotthoffs, Iris Schomaker, Lars Teichmann, Ming Wong, Michael Wutz.[58]

2015

  • Mee na India, mmepụta na ngosi nke onye na-ese ihe Prasad Raghavan na-arụ ọrụ maka Indian Pavilion na Hannover Messe 2015. [59]

Ide ihe

dezie

Akwụkwọ agụmakwụkwọ

dezie

2001

  • Native: laghachiri na Beyond Frontiers: Contemporary British Art site na ndị na-ese ihe nke South Asia. Amal Ghosh na Juginder Lamba, eds. (London: Saffron Books, Eastern Art Publishing, 2001).[60]
  • Anthology of art, Jochen Grez project on the web, Gịnị bụ ọhụụ gị nke nka a na-amaghị ama?. [61]
  • Akwụkwọ akụkọ 151M 10/02, The Netherlands (na Mai Ghoussoub) & Abwab 31.
  • Panchayat, interarchive, onye nchịkọta akụkọ Hans Ulrich Obrist, Kunstraum der Universitat Lunenburg, Verlag der buchhandlung Walther Konig, Kaln, 2002, 276-280.[62]

2004

  • Ogologo oge - Ọnọdụ nke ndị na-ese ihe n'Iran, nke Shaheen Merali so dezie. Berlin: Ụlọ nke Ọdịbendị Ụwa.[63]
  • Ajụjụ ọnụ Isaac Julien, Keith Piper, Lisl Ponger na Tim Sharp (German), The Black Atlantic - Traveling Cultures, Counter-Histories, Networked Identities. Berlin: Ụlọ nke Ọdịbendị Ụwa.[64]
  • Nkwupụta Curatorial, The Black Atlantic - Ọdịbendị Na-agagharị agagharị, Akụkọ Ihe Mere Eme, Njirimara Networked. Berlin: Ụlọ nke Ọdịbendị Ụwa.[2][64]

2005

  • A na-akpọ ya Rose n'aha ọ bụla ọzọ, About Beauty, ed. nke Shaheen Merali dere. Berlin: House of World Cultures, 2005, 36 - 37.[64]
  • Na-eguzogide n'ihi na anyị enweghị ihe ọ bụla, Philip Cheah na mkparịta ụka ya na Shaheen Merali, Spaces and Shadows - Contemporary Art from Southeast Asia, ed. nke Shaheen Merali dere. Berlin: House of World Cultures, 2005, 36 - 37.[65]
  • Tian Fun bụ ngwá agha ọhụrụ, Gridthiya Gaweewong na mkparịta ụka ya na Shaheen Merali na Annette Bhagwati, Spaces and Shadows - Contemporary Art from Southeast Asia, ed. nke Shaheen Merali dere. Berlin: House of World Cultures, 2005, 34 - 35.[65]
  • Nkwupụta nke nguzogide dị n'ọrụ, ọ bụghị n'okwu, Ong Keng Sen na mkparịta ụka ya na Shaheen Merali na Annette Bhagwati, Spaces and Shadows - Contemporary Art from Southeast Asia, ed. nke Shaheen Merali dere. Berlin: House of World Cultures, 2005, 32 - 33.[65]
  • Nchịkwa Impression - Nkọwa njem na Singapore, Indonesia na Thailand, oghere na onyinyo - Ihe osise nke oge a sitere na Ndịda Ọwụwa Anyanwụ Eshia, ed. nke Shaheen Merali dere. Berlin: House of World Cultures, 2005, 28 - 31.[65]

2007

  • Na-eme ihe nkiri nke ụwa na maka ụwa (Jem Cohen na mkparịta ụka ya na Shaheen Merali), New York States Of Mind - Art And The city, ed. nke Shaheen Merali dere. London: Saqi Books, 2008, 198 - 206.[66]
  • [Ihe e dere n'ala ala peeji] nke Shaheen Merali dere. London: Saqi Books, 2008, 16 - 28.[1][66]

2008

  • __ibo__ A na-ekwu na ọ bụghị ihe ọ bụla ọzọ, Re-Imagining Asia - A Thousand Years Of Separation, ed. nke Shaheen Merali dere. London: Saqi Books, 2008, 20 - 47.[8]
  • Echiche anya na ime ka ndị na-ese ihe dị mfe, Global Circuits: The geography of art and the new configurations of critical thought, Barcelona: ACCA - Associacio Catalana de Critics d'Art, 2010, 46 - 49.[67]
  • Akwụkwọ bụ́ Voices of Change: 20 Indian Artists, ed. site na Gayatri Sinha. Mumbai: Marg Foundation, 2010, 266 - 281.[68]
  • N'etiti amaokwu Setan na Axis of Evil, Voices of Change: 20 Indian Artists, ed. site na Gayatri Sinha. Mumbai: Marg Foundation, 2010, 198 - 211.[2][68]

2011

  • Spaces of Freedom, na Index on Censorship, The Art Issue, Mpịakọta 40 Nke 3, 118-125.[69]
  • Na-akọwa asụsụ obodo, na Public Notice 3: Jitish Kallat na Art Institute of Chicago, ed. site na Madhuvanti Ghose. Chicago: The Art Institute of Chicago na Yale University Press, 2011, 39 - 45.  [70]
  • N'ime The Unknown as you know it, ed. site na Marek Wasilewski. Poznan: Mahadum nke nka Poznan, 60-69.

2013

  • The Untold (the Rise of) Schisms, InFLUX, Contemporary Art in Asia. [Ihe e dere n'ala ala peeji] Site na Parul Dave Mukherji, Naman P.Ahuja & Kavita Singh. Sage Publications India, 183-196.[71]
  • Spectre (nke Ihe Ọmụma): Nchịkọta asụsụ, Art nke Oge A si n'Etiti Ebe Ọwụwa Anyanwụ Ụwa, Ed. Site na Hamid Keshmirshekan, IB Tauris, 89-97.[72]
  • Spectre (nke Ihe Ọmụma): Nchịkọta Cosmopolitan, Dissonant Archives, Contemporary Visual Culture and Contested Narratives in the Middle East, Edited by Anthony Downey, I.B.Tauris, 432-444.[73][74]

2016

  • Ịhụnanya n'anya ikpeazụ....Nezaket Ekiciʹ The Live Art Almanac Mpịakọta 4. Nke Harriet Curtis, Lois Keidan na Aaron Wright dezigharịrị, Oberon Books London, 76-82. [75]
  • Nkọwa: Site na Nemesis ha, nrubeisi (Dis) na COMPASSION A Paradox nke ọdịiche na nka Eshia nke oge a nke Bashir Makhoul na Alnoor Mitha dezigharịrị, HOME Manchester, 143-160.[76]

Ndepụta

dezie
  • Carte Blanche / akwụkwọ ọcha. Lethaby Press & Panchayat. Onye nchịkọta akụkọ na onye na-enye aka.

2008

  • Eric Soeutre, France
  • Teknụzụ: Nchọpụta ma ọ bụ Ịghọ aghụghọ. Okwu ikpeazụ. Ọnọdụ siri ike. Akwụkwọ Panchayat. ACE kwadoro ego. Oge opupu ihe ubi nke 1998.
  • Displaces, ihe ngosi nke Mai Ghoussoub na Souheil Sieiman. Saqi Books, London.
  • India Crossing, Studio La Città, Verona. Essay: India Crossing...The Discursive as an image.India Crossing...The Discursive dị ka onyinyo.
  • India Contemporary, Gem Museum voor Actuele Kunst, Den Haag.Asụsụ 1: Exposed Tendencies. Essay 2: Guilt Guilded in Gold.Obi amamikpe Guilded na ọlaedo.
  • Ịbụ, Mmụọ ma ọ bụ Mmụọ, Gallery OED, Cochin, Kerala. Essay: Being, Spirit or Ghost.[77]
  • Anomalies, From Nature to Future, Rossi&Rossi, London. Essay: Diasporic Sciences, 9-16.[78]
  • Sara Rahbar, Carbon 12, Dubai. edemede: N'ofe echiche, n'ofe kọntinent.[79]
  • Blood and Spit - Ọrụ Ọhụrụ site na TV Santosh, Jack Shainman Gallery, NY. edemede: The Chimera War.[80]
  • Navid Azimi Sajadi, Olcay Art Gallery, Caddebostan, Istanbul. Ndepụta edemede.
  •  
    Parallax nke India 2012
     
    Parallax nke India 2012
    Indian Parallax, Birla Academy of Art & Culture, Kolkata. Onye nchịkọta akụkọ na edemede: The Indian Parallax or the Doubling of Happiness: na-arụ ọrụ na akụkụ abụọ na ihe ọkpụkpụ gaa na onyinyo nke atọ - eziokwu na-enweghị atụ.[50]
  • Refraction: Moving Images on Palestine, P21 Gallery, London. Onye nchịkọta akụkọ na edemede abụọ: Imaging Palestine: Ịgagharị na-emegide ịnọ jụụ na Refractions- ìhè n'anya ha.[81]

2014

  • Fragile Hands, A curatorial essay on said subjectivities, University of Applied Arts, Vienna. Onye nchịkọta akụkọ na edemede dị mkpa: Fragile Hands, edemede curatorial na isiokwu ndị a kpọtụrụ aha.[56]
  • Berlin Heist, mmasị na-adịgide adịgide na obodo ndị nwere mgbidi, Mediations Biennale, Posnan, Poland. Akwụkwọ edemede abụọ: Berlin Heist, mmasị na-adịgide adịgide na obodo ndị nwere mgbidi (Nkebi 1&2). [58]

2015

  • Afọ Mgbe Zero gasịrị, Tea Makipaa Monograph.

2016

  • Draw Me Nearer, Paperworks, WM Gallery, Amsterdam.
  • Fair Trade, Leila Pazooki, Kunsthistorisches Museum Wien na njem nleta na Tokyo / Osaka.
  • Ọdịdị ala na ndekọ Europe, Monica de Miranda na Novo Banco Photo, Museu Berado, Lisbon.

2017

  • Michael Wutz 12 Baume, Forum Kunst Rottweil, Germany.
  • Tavares Strachan, Isolated Labs, NY na Desert X.

2018

  • JJ XI, Carrots Publishing, Beijing.

edemede na nyocha

dezie

Kilts, Lungi na Dishdash. Ndị ikom na-eyi uwe elu? Abwab, Int. Kwa nkeji iri na ise nke ndị Arab. Nke 15. Ọrụ / Ihe osise: Achillies Heels, London. Nke 21 na nke 22. (Spring & Summer / Summer & Autumn 97).

  • Texaco, Third Text (Mgbasa 40, Autumn 97, nke Patrick Chamoiseau dezigharịrị). (1997)[82]
  • N'okpuru Eluigwe Dị iche iche, Ihe odide nke Atọ (Mgbasa 37). (1997)[83]
  • Displaces, Third Text (Mbupụta 39). (1997)[84]
  • Ndị ọbịa na-amaghị nke ọma, Ihe odide nke Atọ (Mgbasa nke 41, nke Caryl Phillips dezigharịrị). (1998)[85]
  • Kay Hassan, Ihe odide nke Atọ (Mbupụta 55, Summer 01). (2001)
  • Rashid Rana Interview, Indian Contemporary Art Journal. (2012)[86]
  • The struggle for the Sublime, Art Tomorrow (mbipụta 2-6). (2012)
  • Ndị Chitrakars; ndị omenkà na-eme ka ọnọdụ obodo dịkwuo elu. Ọhụụ na-adịghị mma. (2015)
  • Akwụkwọ Mpịakọta Akụkọ nke Bengal Raw Vision Magazine !!!
  • Banyere iri afọ ndị dị oke egwu na ọrụ nke ebe nchekwa ihe ochie. Shwetal Patel na mkparịta ụka ya na Shaheen Merali. (2017)[87]
  • nyocha mkpokọta dị oke egwu

Ọrụ nka

dezie

Ihe ngosi onwe onye

dezie
  • Channels, Echoes & Empty Chairs, Angel Row Gallery, Nottingham na South London Gallery, London. Nke Angel Row Gallery nyere iwu. (1993)[88][89]
  • Torchlights, Brick Lane Police Station, East London. Ọ bụ Whitechapel Art Gallery nyere ya iwu. (1994)
  • Paradigms lost, Travelling Gallery, gara North na East Scotland dị ka akụkụ nke fotofeis 95. Ọ bụ Scottish Arts Council nyere ya iwu. (1999)[90]
  • Dark Matters, Kunsthalle Exnergasse, Vienna, Austria. (2000)[91]
  • Dark Matters II, Art Exchange, Nottingham. (2001)[92]
  • U na-efegharị m, Window Gallery, Central Saint Martins, London. (2001)

Ihe ngosi ìgwè

dezie
  • Box Project, The Museum of Installation, London, Turnpike Gallery, Leigh na Angel Row Gallery, Nottingham. (CD Rom Catalogue). (1999)
  • Alien/Nation, Sixpack Films, Vienna, Austria. (1999)[93]
  • Translocation, Photographers Gallery, London na Institute for Research on the African Diaspora and Caribbean, City College of New York. (1999)
  • Transforming the Crown, Bronx Museum of Art, New York, USA. (1999)[94]
  • Site na India, Queens Museum, Flushing Meadows, New York, USA. (1999)
  • Ụmụ nwoke na ụmụ nwoke, James Hockey Gallery, Surrey Institute of Education, Farnham, Surrey. (1999)
  • Zero Zero Zero, Whitechapel Art Gallery, London. (1999)[95]
  • The Crown Jewels, Kampnagel, Hamburg na NGBK, Berlin. (1999)[96]
  • Empire na m, Pitshanger Museum na Gallery, London na AXIOM center, Cheltenham. (1999)[97]
  • Machos na Muecas, La Casa Elizaide, Barcelona. (1999)
  • Ubudoda, Metropolitan Gallery, Cape Town, South Africa. (2000)
  • Chanting Heads CD Rom. Ọ bụ David a Bailey & Sonia Boyce, AAVAA haziri ya. (2001)
  • Ndị na-acha ọbara ọbara (ihe ngosi), Toynbee Hall, London. Njikọ ya na Oreet Ashery. (2001)[98]
  • The Globe, Centre Beirut, Lebanon. Ọ bụ Dave Beech haziri ya. (2001)
  • Gịnị ka njọ?,? , Ụlọ Ahịa, London. (2001)[99]
  • Dressing, Readdressing, mmekorita ya na Mai Ghoussoub. AI-Saqi Books, London. (2001)
  • Onye ọbịa, Hastings Gallery na Museum. Ọ bụ Mario Rossi haziri ya. (2001)[100]
  • Nwoke, Nwaanyị, Machine, Centre of Attention, London. (2001)[101]
  • Site & Sight, Asian Civilisation Museum, Singapore. (2002)
  • Hygiene, London School of Hygiene and Tropical Medicine. Ọ bụ Pam Skelton na Tony Fletcher haziri ya. (2002)[102]

Ihe ngosi vidio

dezie
  • M wepụrụ olu m na nrọ m (45 nkeji). South London Gallery, London. (1993)
  • M wepụrụ olu m na nrọ m (45 nkeji). Galerie 101, Ottawa, Canada. (1994)
  • Pandemonium, ICA, London; Rotterdam 97-26 Film festival, Holland; Desh Pradesh, Toronto, Canada; Whitechapel Open, Curtain Rd Gallery, London; KIZ- Kino, Granz, Austria; Scratch Projection, Paris, France; Tokyo 97-Image Forum, Festival, Tokyo, Japan; Pesaro 97-Film Festival, Roma, Italy; Hamburg 97-13. International Kurzfilm-Festival & No., Hamburg, Germany; Jerusalem 97-Film Festival, Jerusalem, Israel; São Paulo 97-Short Film Festival, São Paulo, Brazil; Austin 97. Cinematexas- Int. ihe nkiri dị mkpirikpi + vidiyo + ọhụrụ, Austin, USA.(1997)[103]
  • Ihe nkiri na-agbawa agbawa, Kenington, London. (1998)
  • Obodo ndị na-esote ọchịchị, nke inIVA na-elekọta. Lux Cinema, London. (1999)
  • Ndị na-acha anụnụ anụnụ (18 nkeji) Ndị na-agba agba vidiyo na foto. National Review of Live Arts. (2002)
  • Echiche Ndị furu efu Pt. 1 (5 nkeji 10 Ọkọchị). (2002)
  • 2016 (dị ka onye na-eme ihe nkiri) na-eleghachi anya na mmalite (11 Episodes) (11 nkeji nke ọ bụla) Edere ma duzie ya site na Oreet Ashery, Stanley Picker Gallery na Online. (2002)[104]

Ebensidee

dezie
  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 Shwetal Patel (December 2017). "On the critical decades and the role of archives". On Curating 37: 50;55. 
  2. ↑ ed. Merali (2008). Re-imagining Asia: A Thousand Years of Separation. Saqi Books. ISBN 978-0863566530. 
  3. ↑ 3.0 3.1 지난 광주비엔날레. Gwangju Biennale. Retrieved on 16 September 2019.
  4. ↑ 4.0 4.1 Wendland (September 13, 2014). 4th Mediations Biennale: When Nowhere Becomes Here. e-flux. Retrieved on 16 September 2019.
  5. ↑ 5.0 5.1 5.2 Tate Library. tate.org.uk. Retrieved on 16 September 2019.
  6. ↑ 6.0 6.1 6.2 Diaspora-artists: View details. new.diaspora-artists.net. Archived from the original on 2022-08-14. Retrieved on 2019-09-20.
  7. ↑ Whitelegg (2012-05-01). "Making Art Global (Part 1):The Third Havana Biennale". Third Text 26 (3): 372–374. DOI:10.1080/09528822.2012.679046. ISSN 0952-8822. 
  8. ↑ 8.0 8.1 8.2 (2008) Re-imagining Asia : a thousand years of separation, Merali, Shaheen, 1959-, London: Saqi. ISBN 9780863566530. OCLC 183148572. 
  9. ↑ Between Past and Future: New Photography and Video from China | Smart Museum of Art. smartmuseum.uchicago.edu. Retrieved on 2019-09-24.
  10. ↑ 10.0 10.1 Enrico (9 May 2008). Frontlines: Notations from the contemporary Indian Urban / BodhiBerlin / Interview with the artistic director Shaheen Merali. Vernissage TV. Retrieved on 16 September 2019.
  11. ↑ CHAMBERS, Eddie. (2014-07-30). Black Artists in British Art : A History from 1950 to the Present.. I.B.Tauris. ISBN 9781780762722. OCLC 874429495. 
  12. ↑ Correia (8 June 2012). "Zarina Bhimji: Light, Time and Dislocation" (in en). Third Text 26 (3): 359–363. DOI:10.1080/09528822.2012.679043. ISSN 0952-8822. 
  13. ↑ 13.0 13.1 13.2 Diaspora-artists: View details. new.diaspora-artists.net. Archived from the original on 2022-08-14. Retrieved on 2019-09-18.
  14. ↑ DeSouza (1992). Crossing black waters (in English). London: Working Press. ISBN 9781870736213. OCLC 29595464. 
  15. ↑ 1990 - 1999 - disability arts online. www.disabilityartsonline.org.uk. Archived from the original on 2018-06-27. Retrieved on 2019-09-18.
  16. ↑ (1998) Unbound Geographies/Fused Histories : The British/Canadian Xchange (in en). Toronto, Ont.: A Space. 
  17. ↑ Noriko Murai and Hyeshin Kim. The Sixth Gwangju Biennale 2006: Fever Variations. caa.reviews. Retrieved on 18 September 2019.
  18. ↑ Black Atlantic: Travelling Cultures, Counter-Histories, Networked Identities. HKW Archive. Archived from the original on 2022-08-14.
  19. ↑ (2004) Der black Atlantic, Gilroy, Paul, 1956-, Campt, Tina., El-Tayeb, Fatima., Berlin: Haus der Kulturen der Welt. ISBN 3980885151. OCLC 70072491. 
  20. ↑ Dream and Trauma. Haus der Kulturen der Welt. Retrieved on 16 September 2019.
  21. ↑ ed. Merali (November 1, 2007). New York States of Mind: Art and the City. Saqi Books. ISBN 978-0863566813. 
  22. ↑ Merali, Shaheen (2008). New York - states of mind : art in the city; [on the occasion of the exhibition and film program "New York - States of Mind - Art in the City", Berlin, August 24 -November 4, 2007, House of World Cultures; New York, December 16, 2007 - March 23, 2008, Queens Museum of Art]. Saqi. ISBN 9780863566813. OCLC 254669074. 
  23. ↑ Enrico (Jun 24, 2008). Shilpa Gupta: BlindStars StarsBlind / BodhiBerlin / Interview with Shilpa Gupta and Shaheen Merali. Rhizome. Retrieved on 16 September 2019.
  24. ↑ H D’Sa (Aug 22, 2008). Painting war wounds on canvas. DNA India. Retrieved on 16 September 2019.
  25. ↑ BodhiBerlin presents Urban Spiel – A Study Of Sculpture And Material. Art Agenda (1 September 2008). Retrieved on 18 September 2019.
  26. ↑ (ed.) Merali. catalogue: Jitish Kallat: Public Notice - 2. Asia Art Archive. Retrieved on 18 September 2019.
  27. ↑ Riyas Komu's 'Related List' contains his artistic concerns. The Art Trust. Retrieved on 18 September 2019.
  28. ↑ Indian Popular Culture and beyond. Undo.net. Retrieved on 18 September 2019.
  29. ↑ (ed.) Merali. catalogue: The Dark Science of Five Continents. Asia Art Archive. Retrieved on 18 September 2019.
  30. ↑ Zautashvili, Iliko. (2009). The Manifest of Changes and an Inner Experience : 2nd Tbilisi International Contemporary and Art Events; artisterium 09, 8-15. october 2009. Artisterium, 68. ISBN 9789941008184. OCLC 917760896. 
  31. ↑ (2009) The promise of loss : a contemporary index of Iran, Merali, Shaheen, 1959-, Galerie Hilger (Vienna, Austria), Galerie Hilger BrotKunsthalle., Vienna, Austria: ÖIP/EIKON. ISBN 9783902250506. OCLC 603298926. 
  32. ↑ The Promise of Loss. A Contemporary Index of Iran. Artfacts.net. Retrieved on 18 September 2019.
  33. ↑ NEVER RUN AWAY. Stux Gallery. Retrieved on 18 September 2019.
  34. ↑ East City Kolkata: Before the campaign. Art News and Views. Archived from the original on November 1, 2011. Retrieved on 18 September 2019.
  35. ↑ Merali. Safe to Fight. Parkin Gallery. Archived from the original on 24 June 2016. Retrieved on 18 September 2019.
  36. ↑ Three Voices in My Head. ArtRabbit. Retrieved on 18 September 2019.
  37. ↑ The Stalking of Absence (vis-a-vis Iran). Tokyo Gallery + BTAP. Retrieved on 18 September 2019.
  38. ↑ (ed.) Merali (2010). The 11th Hour: An Exhibition of Contemporary Art from India / Diaspora. Asia Art Archive. Retrieved on 18 September 2019.
  39. ↑ 'Cinema Verite Redux' at Gallery Sumukha, Bangalore. Art Expo India (10 July 2010). Retrieved on 18 September 2019.
  40. ↑ Twice is too much. ArtRabbit. Retrieved on 18 September 2019.
  41. ↑ Tough Love - uma série de promessas. Performa Revolver. Retrieved on 18 September 2019.
  42. ↑ Merali. Press release: The Archivists' Impatience. The LOFT. Retrieved on 18 September 2019.
  43. ↑ (ed.) Merali. Public Enemy Number 1 catalogue. Asia Art Archive. Retrieved on 18 September 2019.
  44. ↑ "Entropic Sites" a photo installation by Leena Kejriwal curated by Shaheen Merali at Shrine Empire Gallery. Delhi Events. Retrieved on 18 September 2019.
  45. ↑ 'Entropic Site' Curatorial Walk with Shaheen Merali and Leena Kejriwal. Youtube (10 February 2011). Retrieved on 18 September 2019.
  46. ↑ regarding Iran. the apparent acquiescence of conceptual poetics. The Guild India. Art Gallery. Retrieved on 18 September 2019.
  47. ↑ I saw that which had remained unseen. Leena Kejriwal. Retrieved on 18 September 2019.
  48. ↑ The (Iranian) Weltanschauung - Aesthetics within ideological constrains.. 4art.com (16 May 2011). Archived from the original on 29 November 2020. Retrieved on 18 September 2019.
  49. ↑ When Violence Becomes Decadent. Leena Kejriwal. Retrieved on 18 September 2019.
  50. ↑ 50.0 50.1 The Indian Parallax or the Doubling of Happiness. Mutual Art. Retrieved on 18 September 2019."The Indian Parallax or the Doubling of Happiness". Mutual Art. Retrieved 18 September 2019.
  51. ↑ Refraction: Moving Images on Palestine. Art Rabbit. Retrieved on 18 September 2019.
  52. ↑ Nezaket Ekici: (After) Love at Last Sight. Time Out London (2 December 2013). Retrieved on 16 September 2019.
  53. ↑ Exhibition: Speaking from the Heart – The Polemic Sensibility from Iran. Framed Framed. Retrieved on 18 September 2019.
  54. ↑ When Violence becomes Decadent. Artfacts.net. Retrieved on 18 September 2019.
  55. ↑ Carey (June 8, 2015). Shaheen Merali. Museum of Non-visible Art. Retrieved on 16 September 2019.
  56. ↑ 56.0 56.1 (ed.) Merali (2014). Fragile Hands. University of Applied Arts Vienna. ISBN 978-3-9503563-4-2. 
  57. ↑ Britt (2014-09-24). Fragile Hands orchestrated multivocal works of art in astounding unison (en-US). al.arte.magazine. Archived from the original on 2019-09-05. Retrieved on 2019-09-24.
  58. ↑ 58.0 58.1 The 4th Mediations Biennale Poznań Will Be Curated By Four Curators Who Will Create Three Regional Platforms.. Biennal Foundation (21 August 2014). Retrieved on 18 September 2019.
  59. ↑ Make In India. Square Radius. Retrieved on 16 September 2019.
  60. ↑ (2001) Beyond frontiers : contemporary British art by artists of South Asian descent, Ghosh, Amal., Lamba, Juginder., London: Saffron. ISBN 1872843212. OCLC 49331160. 
  61. ↑ Gerz, Jochen. (2008). Anthologie de l'art, Hohlfeldt, Marion., Arles (Bouches-du-Rhône): Analogues. ISBN 9782915772098. OCLC 458765756. 
  62. ↑ (2002) Interarchive : archivarische Praktiken und Handlungsräume im zeitgenössischen Kunstfeld = Archival practices and sites in the contemporary art field, Bismarck, Beatrice von., Feldmann, Hans-Peter, 1941-, Obrist, Hans Ulrich., Universität Lüneburg. Kunstraum., Köln: König. ISBN 3883755400. OCLC 50169100. 
  63. ↑ (2004) Entfernte Nähe : neue Positionen iranischer Künstler = Far near distance : contemporary positions of Iranian artists, Merali, Shaheen, 1959-, Hager, Martin., 1. Aufl, Berlin: Haus der Kulturen der Welt. ISBN 3980885143. OCLC 56014303. 
  64. ↑ 64.0 64.1 64.2 (2005) Über Schönheit About Beauty; [erscheint im Rahmen des Projekts "Über Schönheit" vom 18. März bis 15. Mai 2005 am Haus der Kulturen der Welt, Berlin], Barney, Matthew, Paik, Nam June, Neshat, Shirin,, Sherman, Cindy,, Abbas, Ackbar, Merali, Shaheen, 1. Aufl, Berlin: Haus der Kulturen der Welt. ISBN 398088516X. OCLC 253890238. 
  65. ↑ 65.0 65.1 65.2 65.3 (2005) Räume und Schatten : zeitgenössische Kunst aus Südostasien = Spaces and shadows : contemporary art from Southeast Asia, Merali, Shaheen, 1959-, Haus der Kulturen der Welt., 1. Aufl, Berlin: Vice Versa. ISBN 3980885178. OCLC 70677268. 
  66. ↑ 66.0 66.1 (2008) New York : states of mind : art in the city, Merali, Shaheen, 1959-, Haus der Kulturen der Welt., Queens Museum of Art., London: Saqi. ISBN 9780863566813. OCLC 173719223. 
  67. ↑ (2010) "IRELAND.". The Lancet 189 (4872): 76. DOI:10.1016/s0140-6736(01)46749-3. ISSN 0140-6736. 
  68. ↑ 68.0 68.1 (2010) Voices of change : 20 Indian artists, Sinha, Gayatri,, Marg Foundation (Mumbai, India). ISBN 9789380581064. OCLC 676725336. 
  69. ↑ Merali (4 October 2011). "Spaces of Freedom" (in en-US). Index on Censorship 40 (3): 119–125. DOI:10.1177/0306422011418232. ISSN 0306-4220. 
  70. ↑ Kallat, Jitish, 1974- (2011). Public notice 3, Ghose, Madhuvanti., Merali, Shaheen, 1959-, Art Institute of Chicago., Chicago: Art Institute of Chicago. ISBN 9780300171587. OCLC 670481324. 
  71. ↑ (2013-11-22) InFlux : contemporary art in Asia, Dave Mukherji, Parul,, Ahuja, Naman P.,, Singh, Kavita. ISBN 9788132117803. OCLC 870994660. 
  72. ↑ Keshmirshekan, Hamid (2013). Contemporary Iranian art : new perspectives. ISBN 9780863567216. OCLC 856191974. 
  73. ↑ Downey (2015). Dissonant archives: contemporary visual culture and contested narratives in the Middle East (in English). Bloomsbury Academic. ISBN 9781784534110. OCLC 914245211. 
  74. ↑ The Spectre (of Knowledge). Ibraaz. Retrieved on 2019-09-24.
  75. ↑ Keidan (2016-06-09). The Live Art Almanac (in en). Oberon Books. ISBN 9781783193233. 
  76. ↑ Mitha, Alnoor, editor. Makhoul, Bashir, editor. (June 2016). Conflict and compassion : a paradox of difference in contemporary Asian art. Cornerhouse - Ipsuk. ISBN 9780992952471. OCLC 957261397. 
  77. ↑ Saffronart-N.N. Rimzon's 'Being, Spirit or Ghost'. www.saffronart.com. Archived from the original on 2023-05-22. Retrieved on 2019-09-19.
  78. ↑ Abichandani, Jaishri. (2009). Anomalies : from nature to the future. Rossi & Rossi Ltd. ISBN 9781906576103. OCLC 438246753. 
  79. ↑ Iranian artist Sara Rahbar featured at Dubai's Carbon 12 gallery (en). The National (17 April 2012). Retrieved on 2019-09-19.
  80. ↑ T.V. SANTHOSH / BLOOD AND SPIT :: JACK SHAINMAN GALLERY. www.jackshainman.com. Retrieved on 2019-09-19.
  81. ↑ Merali, Shaheen, editor.. Refraction : moving images on Palestine. OCLC 1062347581. 
  82. ↑ Merali (1997-09-01). "Texaco by Patrick Chamoiseau". Third Text 11 (40): 109–110. DOI:10.1080/09528829708576693. ISSN 0952-8822. 
  83. ↑ Merali (1996-12-01). "Under different skies". Third Text 10 (37): 109–111. DOI:10.1080/09528829608576651. ISSN 0952-8822. 
  84. ↑ Merali (1997-06-01). "Displaces". Third Text 11 (39): 103–105. DOI:10.1080/09528829708576677. ISSN 0952-8822. 
  85. ↑ Philippi (1998-06-01). "Book reviews". Third Text 12 (43): 105–111. DOI:10.1080/09528829808576744. ISSN 0952-8822. 
  86. ↑ (ed.) Rajendra N Patil (2012). "Interviews". Indian Contemporary Art Journal 3 (II): 42;45. 
  87. ↑ On the critical decades and the role of archives - ONCURATING. www.on-curating.org. Retrieved on 2019-09-19.
  88. ↑ Angel Row Gallery, Nottingham & South London Gallery, Channels, Echoes and Empty Chairs - AAVAA - VADS: the online resource for visual arts. vads.ac.uk. Retrieved on 2019-09-19.
  89. ↑ Shaheen Merali: Channels Echoes and Empty Chairs (en-GB). South London Gallery. Retrieved on 2019-09-19.
  90. ↑ Music for Visual Art Collaborations by composer Philip Chambon. www.philipchambon.com. Retrieved on 2019-09-19.
  91. ↑ Lacrimosa - springerin | Hefte für Gegenwartskunst. www.springerin.at. Retrieved on 2019-09-19.
  92. ↑ shaheen merali. art.lshtm.ac.uk. Archived from the original on 2017-05-16. Retrieved on 2019-09-19.
  93. ↑ MacDonald, Scott, 1942- (July 2019). The sublimity of document : cinema as diorama : (avant-doc 2). ISBN 9780190052140. OCLC 1084619566. 
  94. ↑ Ratnam (1997). "Transforming the Crown" (in en). Third Text 11 (41): 85–89. DOI:10.1080/09528829708576704. ISSN 0952-8822. 
  95. ↑ Whitechapel Art Gallery - Archive search. archive.whitechapelgallery.org. Retrieved on 2019-09-19.
  96. ↑ Arya, Rina. (2012). Chila Kumari Burman : Shakti, Sexuality and Bindi girls.. KT Press. ISBN 978-1306106344. OCLC 863042814. 
  97. ↑ empire and I. www.alanajelinek.com. Retrieved on 2019-09-19.
  98. ↑ re.act.feminism. www.reactfeminism.org. Retrieved on 2019-09-19.
  99. ↑ Shaheen Merali and Oreet Ashery. The Centre of Attention. Archived from the original on 7 August 2008. Retrieved on 19 September 2019.
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  101. ↑ A Man, A Woman, A Machine The Centre of Attention London (it). 1995-2015.undo.net. Retrieved on 2019-09-19.
  102. ↑ Coxall (April 2003). "Hygiene: The Art of Public Health" (in en-US). Journal of Visual Culture 2 (1): 33–50. DOI:10.1177/147041290300200102. ISSN 1470-4129. 
  103. ↑ Shaheen Merali, Paradigms Lost 1&2 - AAVAA - VADS: the online resource for visual arts. vads.ac.uk. Retrieved on 2019-09-19.
  104. ↑ Art (4 July 2016). Stanley Picker Gallery (en-GB). Retrieved on 2019-09-19.
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