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Rosana Paulino

 

Rosana Paulino

Rosana Paulino (amuru 1967, na São Paulo ) bu onye omenka nke oge a nke Brazil, onye nleba anya na onye nchacha.  [1] Paulino nwere akara akara ugo doctorate na Visual Arts sitere na Mahadum São Paulo, Schoollọ Akwụkwọ Nkwu na nka yana ọpụrụiche na akara si na London Print Studio.  [2] Enyere ya onyunyo Mercosur Konex Award sitere na Argentina na 2022. [3] Paulino na-etinye aka na ndị na-ajụ ase ịse, embroidery, ọrụ, printmaking, collage, and sculpture, mgbe mgbe akwụkwọ aka na archetypes,  ebe nchekwa, ihe ihe nketa, ndị mere ihe eme nke ree ime ihe ike na ịgba ohu na Brazil na inyocha, ihe ọ na-dị ka, Black nwanyị akparamaagwa.  [4] [5] E teepula ọrụ n'ọtụtụ ihe ngosi na UK, France, Belgium, Italy, Spain, Portugal, Cape Verde, Puerto Rico, USA, Mexico, na Brazil.  O nweela ihe ngosi ya na Belgium, Germany, na Brazil. [1] [2] [3]

ndabere

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A Paul maraino maka ihe ngosi anya nke ụmụ ojii na-egosi ihe mere eme na-egosi ọha na eze nke oge nke gosiri ókè, ókè na ịgba ohu na Brazil.  N'ofe North na South America, ahụ ojii abụrụla “akara ngosi emere maka oriri ọha”.  [1] Ọ bụwo ihe atụ nke njikere na ihe;  eroticized, exoticized na objectified.  Echiche ndị a niile, nhụsianya na echiche efu nke na-achọpụta ahụ ekiri ojii ka e wulitere site na isi ndị ọzọ nke na- echiche echiche.  [2] Paulino na-egosi otú ụmụ ojii nọ na Brazil na-ekiri anya ya na-eme ihe mere eme, mgbasa ozi na ọha mmadụ ma wulite izi site na ọrụ nkà ya, na-ekwughachi olu na nke ahụ anụmanụ Brazil.  Nwa.  ka a na-ahụ n'ọtụtụ ihe ngosi ya, Paulino bụ nkà nkà na ẹzé na-eji usoro nka ịse, ọkụ akwa, lithography, ọkọlọtọ, vidiyo, na ọkpụkpụ.  [3] Paulino juxtaposes ka Black nwanyi ahu si rite uru na commoditized na ike nke Black nwanyi ahu na-n'otu n'otu na raw na egwuregwu normalize ya na mainstream media na nka.  Paulino mgbasa ma weta ihe nkiri "ihe ịbụ ihe na ihe ịbụ onye ojii na nsogbu Brazil".  [4] Ahaghị nhata nke ụdị na nwoke na nwoke na Brazil gbanyere ọrịa na nsogbu mmadụ.  Ọ bụ ebe ahụ e nwere ike ikwu, ọha na eze na omenala iji mee ka ụmụ ojii nwee ike ma na-agbagha okwu ndị a, akara ahaghị nhata ka na-alụ ọgụ na eze na eze nke Brazil na ụlọ ọrụ ya.  N'nwere ya, Paulino na- oghere ebe ụmụ ojii ewere ọrụ stereotypical asị mmiri mmiri, nwa n'anya na nwa ihe.  Ọzọkwa, n'otu oge ahụ ahụ ọ na-etughari ndị isi klaas mbụ yana akwa nri ọha na eze na-akpagbu ụmụ ojii na Brazil.  [5] [6] Na vidiyo ntụgharị uche nke onye na-ese ihe na Parede da Memória, Paulino na-ekwu “E ike m ikwu okwu.  M nkà iji dozie okwu ndị a

Paulino tolitere n'ezinụlọ nwere ụmụnne nwanyị abụọ. Mgbe ọ bụ nwata, ọ na-ese ihe mgbe nile na-eji ụrọ egwuri egwu nke bụ mmalite maka mmasị ya na nka. Ka ọ na-etolite, ọ ghọtara ajọ mbunobi na akara nke ịgba ohu na-ahapụ ụmụ nwanyị ojii na Brazil ma chọọ ilebara okwu ndị ahụ anya. Ọ dịghị mgbe inwe nwa bebi ojii ka ha na ya na-egwu egwu mgbe ọ bụ nwata ma ọ bụ ịmara otú e si egosi ụmụ nwanyị ojii na telivishọn na ọrụ ụfọdụ bụ ihe atụ nke okike na ahaghị agbụrụ nke metụtara Paulino.

Mmetụta nka

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Dị ka onye na-ese ihe n'oge ọ bụ nwata, ọ ghọtara adịghị ike nke ịbịaru wee malite iji ụdị mgbasa ozi ndị ọzọ dị ka foto na ihe osise. Ọ na-eji ebe nchekwa foto ezinụlọ nke onwe ya dị ka ihe mkpali maka ọtụtụ ihe ngosi ya. O chere na ụmụ nwanyị ojii dabara na ndabere nke ọha mmadụ, a naghị ahụ ya ma ọ bụ nụ, na enweghị ike ịgbachitere onwe ha. Ihe mkpali maka ihe ngosi mbụ ya, Assentamento(s), bụ akwụkwọ ndekọ akụkọ ihe mere eme nke foto ụmụ nwanyị ojii na Brazil site n'aka ọkà mmụta anụmanụ na Switzerland na prọfesọ Harvard, Louis Agassiz. [4] Paulino hụrụ erughị eru nke foto ndị a na otu ha si ewepụ mmadụ na imegide ụmụ nwanyị n'ekwenyeghị ndụ ma ọ bụ mgba ha. O ji foto otu nwanyị megharịa ihe osise wee nye ụlọ ọrụ ya, aha, akụkọ na akụkọ ihe mere eme. Ihe lekwasịrị anya ya bụ ịghọta akara na-adịgide adịgide nke ọchịchị colonial na ịgba ohu n'obodo Brazil, ọkachasị n'ebe ụmụ nwanyị ojii nọ. Ihe na-amasị ya, dị ka a na-ahụ n'ọtụtụ ọrụ ya, gụnyere akụkọ ndụ onwe onye, biology, flora and fauna, na isiokwu gbadoro ụkwụ na akụkọ ihe mere eme.

Ihe ngosi ama ama

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Assentamento(s)

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Assentamento(s) bụ ọrụ nka nke Rosana Paulino mere ebe ọ na-enyocha etu ahụ nwanyị ojii siri jikọta na akụkọ ihe mere eme nke Brazil. [5] Paulino wepụrụ ma chịkọtakwa foto akụkọ ihe mere eme nke ụmụ nwanyị ojii site n'aka ọkà mmụta anụmanụ Switzerland na prọfesọ Harvard, Louis Agassiz, na mbọ iji megharịa ma ọ bụ 'megharịa' akụkọ ha na obodo Brazil. Paulino na-atụgharị ihe oyiyi ndị a na akwa ma na-eji usoro mgbasa ozi dị iche iche ebe ọ na-egbutu ma na-achịkọta ibe ya na nkedo. Foto Agassiz na-emegide ma mebie ụmụ nwanyị ojii, na-agọnarị aha, akụkọ, ma ọ bụ akụkọ ihe mere eme. Paulino na-enye ndị inyom ụlọ ọrụ na njirimara, na-amụba foto Agassiz ka ọ bụrụ nha n'ezie yana kpachie akụkụ ahụ dị ndụ na agba n'ahụ ha. Ọ na-ekwenye na mgba na ọnyà nke colonialism na ịkpa ókè agbụrụ site na nkedo siri ike nke akụkụ ndị na-adịghị mma nke ákwà ahụ. Paulino na-agba onye na-ekiri ya ume ịtụgharị uche n'akụkọ ihe mere eme nke ụmụ nwanyị ojii na Brazil na otú ha si "anọgide na-emeso ha dị ka ụmụ amaala nke abụọ, n'okpuru usoro nke mmegbu". [6]

Ịkwa akwa ebe nchekwa

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Ịkwa akwa ebe nchekwa na Pinacoteca nke São Paulo bụ ihe ngosi nke mmemme nke ihe omume ọrụ 140 Paulino sitere na 1993-2018.  [1] Ndị ọrụ ndị a na-uche n'okwu gbasara okike, gosiri ókè, colonial, na ɔkwa n'ihe gbasara ihe mere eme nke Brazil.  Ihe ngosi ahụ nwere ọnụ ụlọ ngọngọ na-onye dị ka Parede da Memória ( Mgbidi ebe nchekwa, 1994-2015) na Bastidores ( Embroidery Hoops/Backdrop, 1997).  Otu ọnụ ụlọ nwere foto sitere na ebe nchekwa nchekwa Paulino, ebipụtara ma ihe na 'patuas' (ihe ihe mgbakwunyere chi nke Africa).  Foto ndị a nke ọ nwere ike nchara mara mma.  Anya ndị mmadụ na onyonyo a dị ike ma na-ejide anya nke onye na-ekiri ya.  ozi ụzo na-agụnye ndị inyom n'ibe uwe mkpuchi.  Ụmụnna ndị ahụ nke ọ elelu nwere ihu ha gba ekiri nke ọma ọnụ, anya, ma ọ bụ isi.  Ihe nkedo a bụ ihe atụ nke ịgbachi ndakpọ, ime ihe ike, ịgba ohu, na mmekọ nwoke na-egosi nke ndị nna ochie, ịkaka na ụdị colonial manyere n'ọdịnala Brazil na ọha mmadụ.  [2] ọnụ nke ndị inyom (nwanne Paulino na nne) na ihe ngosi ahụ na-echeta ihe oyiyi nke Escrava Anastacia na iron bit ( Máscara de Flanders ) n'otu oge a na-eji n'ugbo na-ata ikike  , ịgbachi omume, ibu, na egwu egwu n'etiti ndị ohu [7]

BÚFALA

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Bufala bụ ihe ngosi nke ịhụnanya otu na-egosi 'ya' buffalos ma ọ bụ 'anụmanụ-ụmụ anụmanụ'.  Ihe osise ndị nwere njikọ siri ike na ndị ọrịa ifo ndị Africa dị ka 'anụmanụ-ụmụ ọmụmụ' na-ekwu maka Orisha Oya ma ọ bụ Iansã, nne nke chi jiri na-achịkwa oke ifufe na ifufe.  [1] Paulino na-ịkpọtụ ifo ndị a site n'echiche nke ụmụ ekiri ojii wee jiri ha gbakwunyeghachi ihe ihe eji ejikọta.  N'ihe osise ndị ahụ, ndị inyom ahụ nwere ikike anụ ụlọ, anya ndị nche dọkpụrụ, akara na ire ha gbasapụrụ.  [2] Ọdịiche ndị a ekere ike ịbụ ntụaka maka chi Hindu Kali bụ chi nke ihe na-emeghachi ọkụ.  Paulino na-eji ntụaka aka n'Ụdị ifo ndị a na chi dị iche iche na-ama nke ọma ka esi esi aṅụ ojii site n'ọdịdị nchọpụta na nke na-ahụ ndị ọcha.  A na-azụ ihe ngosi nke ụmụ anụmanụ nke atụmatụ na echiche ụmụ ebe ụmụ na-ama nwoke, na-edo onwe ha n'okpuru, ndị siri ike, ọ bụghịkwa ndị na-akwado ọrụ nka.  Na Bufala, Paulino na-enye enyo na ike nye ụmụ ụmụ ndị na-ad ike na njedebe nke alụ ọgụ.  Bufala bụ ihe atụ nke akwụkwọ onwe na onwe. [8]

Senhora na Plantas

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Senhora das Plantas bụ ihe ngosi Bufala yiri nke ahụ, njiri mara otu eserese nke na-egosi 'akwụkwọ nri-ụmụ nwanyị' nwere mgbọrọgwụ na-eto site na ahụ ha. [9] [10] Ụmụ nwanyị ndị ahụ bụ ihe atụ nke ndụ, ịmụ nwa, na ọdịdị nne na-emesi ike na mgbọrọgwụ sitere na akụkụ ahụ nwanyị ha gụnyere ara na ikpu. Mgbe Bufala na-akọwa ụmụ nwanyị dị ka ndị na-alụ ọgụ na ndị na-achụ nta, Senhora das Plantas na-enye ọmarịcha juxtaposition ebe ụmụ nwanyị bụ ndị okike nke ndụ. N'ezie, Paulino na-egosi anyị na nwanyị enweghị ike ịkọwapụta naanị otu, mana ọ bụ symbiosis nke archetypes abụọ: dinta na onye nchịkọta, nwoke na nwanyị. Ojiji nke akụkọ ifo na Senhora das Plantas na-enye Paulino ohere iweta akụkọ ndị gara aga na akụkọ ihe mere eme nke ụmụ nwanyị ojii.

Usoro Nọọsụ Wet

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Usoro Paulino Wet Nurse na-enyocha ihe atụ akọwapụtara nke ọrụ nọọsụ mmiri chọrọ n'aka ụfọdụ ụmụ nwanyị gbara ohu. [11] [12] A chọrọ ndị nọọsụ na-agba ohu mmiri mmiri ka ha na-enye ụmụ nna ha ukwu ara, n'ọtụtụ oge, a naghị ekwe ka ha nye ụmụ ha ara ara. Nke a mere ka agụụ na-agụ ụmụ ụmụ nwanyị ndị ohu. N'usoro isiokwu a, Paulino na-egosi ụmụnwaanyị ndị a na mmetụta ha site n'ịkpachita akwara na-adịghị mma site na ara ụmụ nwanyị. Ara ụmụ nwanyị na-enye mmiri na-acha ọbara ọbara nke enwere ike ịtụgharị ya dị ka mmiri ara ehi ma ọ bụ ọbara. [13] Paulino na-eji ihe atụ a kapịrị ọnụ amụnye ìhè na ma nnukwu mmetụta ịgba ohu na-enwe n'ahụ ụmụ nwanyị Black Brazil.

Ndepụta ihe ngosi

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  • 2022/2023 - Rosana Paulino: Ọrụ nke Eriri, Kunstverein Braunschweig, Braunschweig, Germany [14]
  • 2022 - Oge ihe, Mendes Wood DM, Brussels, Belgium [15]
  • 2019 - BÚFALA, Mendes Wood DM, São Paulo, Brazil [16]
  • 2018/2019 - Rosana Paulinho: a costura da memória (Rosana Paulino: The Sewing of Memory), Pinacoteca do Estado de São Paulo, São Paulo [17]
  • 2017 - Atlântico Vermelho (Uhie Atlantic), Padrão dos Descobrimentos, Lisbon, Portugal [18]
  • 2016 - Atlântico Vermelho (Uhie Atlantic), Galeria Superfície, São Paulo [19]
  • 2015/2016 - Territórios: Artistas Afrodescendentes no Acervo da Pinacoteca (ókèala: Artists of African Descent in the Collection of the Pinacoteca), Pinacoteca do Estado de São Paulo, São Paulo [20]
  • 2014 - Mulheres Negras - Beuaté Du Brésil na-adịghị ahụkebe. Espace Cultural Fort Griffon, Besançon, France [21]
  • 2013 - Assentamento, Museu de Arte Contemporânea de Americana, São Paulo
  • 2010 - Tecido Social - Galeria Virgílio, São Paulo [22]
  • 2007 - Mulheres Artistas / Olhares Contemporâneos, Museu de Arte Contemporânea, (MAC/USP), São Paulo
  • 2000 - Brasil +500 Mostra do Redescobrimento - Arte Afro-Brasileira - Fundação Bienal de São Paulo, São Paulo [23]
  • 1995 - Os Herdeiros da Noite: fragmentos do imaginário negro, Centro Cultural de Belo Horizonte, Minas Gerais [24]
  • 1995 - Os Herdeiros da Noite: fragmentos do imaginário negro, Pinacoteca do Estado de São Paulo, São Paulo [25]
  • 1994 - Os Herdeiros da Noite: fragmentos do imaginário negro, Espaço Cultural SOS Sul, Brazil [26]

Ọgụgụ ọzọ

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Ntụaka

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  1. ↑ (2014) "Rosana Paulino: Artist Statement". Callaloo 37 (4): 913–916. DOI:10.1353/cal.2014.0153. ISSN 0161-2492. 
  2. ↑ Rosana Paulino (en). Mendes Wood DM. Retrieved on 2023-11-14.
  3. ↑ Rosana Paulino: The Liability of Threads - Kunstverein Braunschweig. kunstvereinbraunschweig.de. Retrieved on 2023-11-14.
  4. ↑ Santos de Araújo (2019-01-01). "Rosana Paulino and the Art of Refazimento: Reconfigurations of the Black Female Body in the Land of Racial Democracy". Brasiliana: Journal for Brazilian Studies. 8 (1–2): 63–90. DOI:10.25160/bjbs.v8i1-2.114869. 
  5. ↑ Santos de Araújo (2019-01-01). "Rosana Paulino and the Art of Refazimento: Reconfigurations of the Black Female Body in the Land of Racial Democracy". Brasiliana: Journal for Brazilian Studies. 8 (1–2): 63–90. DOI:10.25160/bjbs.v8i1-2.114869. 
  6. ↑ Santos de Araújo (2019-01-01). "Rosana Paulino and the Art of Refazimento: Reconfigurations of the Black Female Body in the Land of Racial Democracy". Brasiliana: Journal for Brazilian Studies. 8 (1–2): 63–90. DOI:10.25160/bjbs.v8i1-2.114869. 
  7. ↑ Calirman (2023). Dissident Practices: Brazilian Women Artists, 1960s-2020s. Durham, NC: Duke University Press, 129. 
  8. ↑ Mendes Wood DM | Rosana Paulino - BÚFALA (en). Mendes Wood DM. Archived from the original on 2022-11-25. Retrieved on 2022-11-25.
  9. ↑ Mendes Wood DM | Rosana Paulino - BÚFALA (en). Mendes Wood DM. Archived from the original on 2022-11-25. Retrieved on 2022-11-25.
  10. ↑ Maps (2022-03-31). Biennale Arte 2022 | Rosana Paulino (en). La Biennale di Venezia. Retrieved on 2022-11-25.
  11. ↑ West (2017). "Mothers' Milk: Slavery, Wet-Nursing, and Black and White Women in the Antebellum South". Journal of Southern History 83 (1): 37–68. DOI:10.1353/soh.2017.0001. ISSN 2325-6893. 
  12. ↑ Cleveland (2020-05-19). "Rosana Paulino and Tiago Sant'Ana" (in en). Esclavages & Post-esclavages. Slaveries & Post-Slaveries (2). DOI:10.4000/slaveries.1667. ISSN 2540-6647. 
  13. ↑ Cleveland (2020-05-19). "Rosana Paulino and Tiago Sant'Ana" (in en). Esclavages & Post-esclavages. Slaveries & Post-Slaveries (2). DOI:10.4000/slaveries.1667. ISSN 2540-6647. 
  14. ↑ Rosana Paulino: The Liability of Threads - Kunstverein Braunschweig. kunstvereinbraunschweig.de. Retrieved on 2023-01-02.
  15. ↑ Rosana Paulino - The time of things (en). Artsy. Retrieved on 2023-11-14.
  16. ↑ ArtFacts. Rosana Paulino: Búfala | Exhibition (en). ArtFacts. Retrieved on 2023-11-14.
  17. ↑ Pinacoteca – Rosana Paulino: The Sewing of Memory. pinacoteca.org.br. Archived from the original on 2020-01-22. Retrieved on 2020-04-25.
  18. ↑ Atlântico Vermelho (pt). Padrão dos Descobrimentos. Retrieved on 2020-04-25.
  19. ↑ Rosana Paulino - Atlântico Vermelho - Exhibitions. Galeria Superfície. Archived from the original on 2019-10-03. Retrieved on 2020-04-25.
  20. ↑ Pinacoteca – Territories: Artists of African Descent in the Collection of the Pinacoteca. pinacoteca.org.br. Archived from the original on 2020-10-01. Retrieved on 2020-04-25.
  21. ↑ Mulheres Negras : obscure beauté du brésil (fr). L'ACTU de l'Université de Franche-Comté. Retrieved on 2020-04-25.
  22. ↑ Mostras individuais de Monica Rubinho e Rosana Paulino na Galeria Virgilio, SP – arts & culture | vitruvius (pt-br). www.vitruvius.com.br.
  23. ↑ Cultural. Brasil + 500 Mostra do Redescobrimento (pt-br). Enciclopédia Itaú Cultural. Retrieved on 2020-04-25.
  24. ↑ Cultural. Os Herdeiros da Noite: fragmentos do imaginário negro (pt-br). Enciclopédia Itaú Cultural. Retrieved on 2020-04-25.
  25. ↑ Cultural. Os Herdeiros da Noite: fragmentos do imaginário negro (1995 : São Paulo, SP) (pt-br). Enciclopédia Itaú Cultural. Retrieved on 2020-04-25.
  26. ↑ Cultural. Os Herdeiros da Noite: fragmentos do imaginário (1994 : Brasília, DF) (pt-br). Enciclopédia Itaú Cultural. Retrieved on 2020-04-25.
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