Wikipedia

Rina Banerjee


 

Rina Banerjee (amụrụ 1963) bụ onye omenkà na onye ọkpụ akpụ onye India-America.[1]  Ọ na-ebi ugbu a ma na-arụ ọrụ na New York City.[1]  Ngosi nyocha nyocha ọrụ ya dị n'etiti ọrụ, mee ka m bụrụ nchịkọta nke ụwa - nke haziri ma gosipụta ya na Pennsylvania Academy of the Fine Arts na San Jose Museum of Art–mepere na 2018 wee hazie njem gaa na ụlọ ọrụ nka.  Fowler Museum na UCLA, Frist Art Museum na Nashville, TN, na Nasher Museum of Art na Mahadum Duke, Durham, NC ruo July 2021 [1]

Ndụ mmalite na ọrụ

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.Na 1963, a mind Banerjee na Bengali na Calcutta (ugbu a Kolkata ) na steeti India nke West Bengal .  [1] O tolitere na London na New York City, [2] ma biri na United States mm ahụ.  Banerjee asị najụjụ ọnụ mkpali maka nka ya sitere na nwata ọ gara ileta nna nna ya n'oge ngwaọrụ homeopathic ya.  Ọtụtụ ihe onyonyo na ihe onyonyo sitere na egwu ya na nna ya anọwo na ya ma nwee ike ịhụ ya n'onwe nka ya.  Ọ na-amasị ya ka ihe ndị ọrụ ya mba, agbanwe agbanwe, ma na-agbanwe agbanwe.  [3] Ọ gụchara MFA na ike na ike si Yale School of Art, Mahadum Yale na 1995, ka ọ akwụkwọ akwụkwọ na Case Western Reserve University, Ohio na BS na Polymer Engineering .  [2] E mkpala ọrụ Banerjee na Bronx Museum of Arts, Whitney Museum of American Art, na ụlọ ngozi mgbe ochie ndị ọzọ a ma ama.

Ihe ngosi

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Faịlụ:Lady of Commerce - wooden.jpg
Nwanyị nke azụmahịa - osisi.  Nke ya bụ ịma mma n'ụzọ doro anya, ọkụ n'obi na-ada ụkwụ, ala ya na osimiri na- ike ọgwụgwụ na ịmaja, oke osimiri na-ebu, ụwa na mbara igwe ... niile dị n'ime,  bottled maka ụzọ na-akpa oghere, a azụmahịa nke miri emi mgbe nnukwu ya ogwe aka nzuzu ngo mbara na ya sulfurous halo - mgbanaka nke iko, metal, nkume ịla ezumike nká ka a egwuregwu ọkụ.  (2012), National Museum of Women in Arts, Washington, DC

N'okpuru bụ ndepụta ụfọdụ ihe ngosi Banerjee na solo na otu. [2]

  • 1998: Home within a Harem, Colgate University Gallery, NY
  • 2000: Auf Weidersehen, Admit One, Chelsea, NY[3] — Banerjee uses Asian and Western materials. The exhibit has plastic tubing that runs along the walls and ending which end with rotten-looking fruit and leaves. The plants in the show represent tropical plants that were taken by western settlers to bring to other countries; some of the plants didn't translate well to other land while some blossomed. The room is also filled with a thick webbing which is meant to represent a digestive system, and within the system colorful ritual powder and spices are captured.[3]
  • 2001: Antenna, Bose Pacia Modern, New York
  • 2001: Phantasmal Pharmacopeia, Debs & Company, Chelsea, NY[3]
  • 2002: Phantasmal Pharmacopeia, curated by Susette Min, Painted Bride Art Center, Philadelphia, PA (catalogue)
  • 2006: Fantasies without travel will travel, AMT Gallery, Como, Italy
  • 2007: Foreign Fruit, Galerie Nathalie Obadia, Paris
  • 2007: "Where the Wild Things Are" ...is no place at all and all places that cannot be lived in but visited, realized out of our careful, playful and tenacious tourism of others, realized as our mobility wanders too far, Galerie Volker Diehl, Berlin (2007)[4][2]
  • 2008: Distant Nearness (with Bharti Kher and Subodh Gupta), Nerman Museum of Contemporary Art, Kansas City, KS
  • 2008: Allure, Gallery Espace, New Delhi, India
  • 2009: Look into my eyes and you will see a world unexplainable, out of place, Galerie Nathalie Obadia, Brussels
  • 2009: Rina Banerjee and Raqib Shaw, Thomas Gibson Ltd., London[5]
  • 2010: Forever Foreign, Haunch of Venison, London — Banerjee's first solo show in the UK.[6]
  • 2011: Chimeras of India & the West, Musée Guimet, Paris[7]
  • 2011: Imagining the other half of the world from here, Galerie Nathalie Obadia, Paris
  • 2012: Creationismʼs Kiss, Galerie Nathalie Obadia, Brussels[8]
  • 2012: A World of Lies, Galerie Espace, Hong Kong, China
  • 2013: Bowerbirdnest, Future Perfect, Singapore
  • 2013: A world lost, The Smithsonian Sackler Gallery, Washington, D.C.
  • 2013: What am I made of and how do you know my name?, Ota Fine Art, Tokyo
  • 2013: Seven Sisters, Jenkins Johnson Gallery, San Francisco, CA
  • 2014: Of Men and Worlds, curated by Alain Berland, College des Bernardins, Paris[9]
  • 2014: Disgust, L.A. Louver, Venice, CA — Her four sculptures in this show are made from an uncountable number of small objects that are wired and strung together. She uses cowry shells, rooster feathers, gourds, acrylic horns, glass vials, silk, and many other objects.[10] Her sculptures could be either human or animal, still life or moving. It seems as though Banerjee does not look through junk to find materials for her art, but instead will selectively choose what she wants by ordering her materials off of specialty sites. This selective process she uses emphasizes the global culture of her art, and how she has many different pieces from all over the world, all of which form one cohesive work of art.[11]
  • 2015: Migrations Breath, OTA Fine Arts, Gillman Barracks, Singapore[12] — Colorful yet suggestive pieces of art, which seem to change with different angles or positions. She uses many objects in her works such as Indian sarees, glass bottles, and seashells. Critics have suggested that some of the names of Banerjee's artwork carry sexual implications. For example, the piece She Drew A Premature Prick and many of the pieces have been suggested to represent reproductive organs. Banerjee has said that she enjoys the way that artwork can be fluid and how one's perspective could change with something so simple as wind blowing.[13]
  • 2019: Rina Banerjee: Make Me a Summary of the World, Pennsylvania Academy of the Fine Arts, Philadelphia;[14] Traveling to San Jose Museum of Art, San Jose, CA; Fowler Museum at University of California, Los Angeles, CA; Frist Art Museum, Nashville, TN; Nasher Museum of Art at Duke University, Durham, NC
  • 2019: Rina Banerjee: Blemish, Hosfelt Gallery, San Francisco
  • 2020: Irresistible Earth, an uncontrollable and unconditional love is bestowed to us upon birth. Love for nature infinitely ripening, delicious and dangerous, their fruits, a fermented and fresh gorgeous beauty…, Galerie Nathalie Obadia, Brussels, Belgium
  • 2020: Vapor, Thread, Fire and Earth, between ground and sky Masculine Mythologies and Feminine Escapes, Museum of Contemporary Art (MOCA), Jacksonville, FL
  • 2020: Make Me A Summary of the World, Traveling Solo Retrospective: curated by Jodi Throckmorton and Lauren Dickens, Frist Art Museum, Nashville, TN
  • 2023-2024: Spirit in the Land, organized by the Nasher Museum of Art at Duke University, North Carolina; traveling to the Pérez Art Museum Miami, Florida.[15][16][17]

Ntụaka

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  1. ↑ Exhibitions + Collection - Rina Banerjee: Make Me a Summary of the World (en). San José Museum of Art (2018-11-05). Retrieved on 2020-09-22.
  2. ↑ 2.0 2.1 Rina Banerjee - Artist Biography. LA Louver. Retrieved on 3 March 2018.
  3. ↑ 3.0 3.1 3.2 Cotter. "ART IN REVIEW; Rina Banerjee", The New York Times, 16 June 2000, pp. Section E, Page 33. Retrieved on 4 March 2015.
  4. ↑ CV. rinabanerjee.com. Archived from the original on 2018-03-04. Retrieved on 2018-03-03.
  5. ↑ Shaw (2009). Raqib Shaw - Rina Banerjee October 7th - 28th 2009, Thomas Gibson Fine Art Ltd. (in English). London: Thomas Gibson Fine Art. OCLC 906974923. 
  6. ↑ First UK Solo Show of Bengali-American Artist Rina Banerjee at Haunch of Venison. Art Daily (10 April 2010). Archived from the original on 4 March 2016.
  7. ↑ Jumabhoy (22 June 2011). Rina Banerjee discusses her exhibition at Musée Guimet (en-US). Art Forum. Retrieved on 21 July 2022.
  8. ↑ Rina Banerjee | 7 September - 17 November 2012 - Installation Views (en). Galerie Nathalie Obadia. Retrieved on 21 July 2022.
  9. ↑ Des hommes, des mondes (fr). Collège des Bernardins (2014). Archived from the original on 22 July 2022. Retrieved on 21 July 2022.
  10. ↑ Vikram (2017). Decolonizing culture: essays on the intersection of art and politics, First, San Francisco: Art Practical + Sming Sming Books, 103–105. ISBN 9780998500652. OCLC 1007152194. 
  11. ↑ Pagel. "Review Rina Banerjee "Disgust" at LA Louvre", Los Angeles Times, 14 May 2014.
  12. ↑ Rina Banerjee: Migration's Breath - Presented by Ota Fine Arts (en). Artsy. Retrieved on 2018-03-03.
  13. ↑ Shetty. "Suggestive sculptures that move by New York-based artist Rina Banerjee", The Straits Times Communities, 3 February 2014. Retrieved on 4 March 2015.
  14. ↑ Stamler (March 2019). Rina Banerjee - The Pennsylvania Academy of the Fine Arts Museum (en-US). Art Forum. Retrieved on 2019-03-22.
  15. ↑ Spirit in the Land (en-US). Nasher Museum of Art at Duke University. Retrieved on 2024-02-28.
  16. ↑ Spirit in the Land • Pérez Art Museum Miami (en-US). Pérez Art Museum Miami. Retrieved on 2024-02-28.
  17. ↑ Schoonmaker (2023). Spirit in the land: Exhibition, Nasher Museum of Art at Duke University, Durham, North Carolina, 2023. Durham, North Carolina: Nasher Museum of Art at Duke University. ISBN 978-0-938989-45-5. 

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