Wikipedia

Mickalene Thomas

Onye na-ese ihe Amerika
Mickalene Thomas
mmádu
ụdịekerenwanyị Dezie
mba o sịNjikota Obodo Amerika Dezie
aha enyereMickalene Dezie
aha ezinụlọ yaThomas Dezie
ụbọchị ọmụmụ ya28 Jenụwarị 1971 Dezie
Ebe ọmụmụCamden Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaBekee Dezie
ọrụ ọ na-arụonye ese, osee foto, collagist, onye na-emeputa ihe onyoyo Dezie
Ọkwá o jiartist-in-residence Dezie
ebe agụmakwụkwọYale University, Pratt Institute, Southern Cross University Dezie
Ebe ọrụBrooklyn, New Haven Dezie
oge ọrụ ya (mmalite)2000 Dezie
Oge ọrụ ya (njedebe)2016 Dezie
agbụrụNdi Afrika nke Amerika Dezie
Ọmụma Mmekọahụlesbianism Dezie
Ọrụ ama amaUntitled Dezie
Ijecontemporary art Dezie
ụdịportrait Dezie
Ihe nriteAnonymous Was A Woman Award Dezie
webụsaịtịhttp://mickalenethomas.com/ Dezie
nọchitere anya yaArtists Rights Society, Lehmann Maupin Gallery Dezie
onye nnọchite anya nwebiisinkaikike mmeputakwa nke CISAC-otu nọchiri anya ya, Artists Rights Society Dezie
ikike nwebiisinka dị ka onye okikeỌrụ nwebiisinka chekwara Dezie
omenkà faịlụ naSmithsonian American Art and Portrait Gallery Library Dezie

 

Mickalene Thomas (amuru Jenụwarị 28, 1971) bụ onye omenkà na-ahụ anya nke Africa-American kacha mara amara dị ka onye na-ese ihe mgbagwoju anya na-eji rhinestones, acrylic, na enamel. [1] Arụ ọrụ collage Thomas sitere na akụkọ ihe mere eme nka na mmegharị ndị a ma ama, gụnyere Impressionism, Cubism, Dada, Harlem Renaissance, na ọrụ ahọpụtara nke onye na-ese Afro-British Chris Ofili . [2] [3] Ọrụ ya na-esite na akụkọ ihe mere eme nke ọdịda anyanwụ, nka pop, na omenala anya iji nyochaa echiche gbasara nwanyị, ịma mma, agbụrụ, mmekọahụ, na okike. [1]

Ndụ mmalite na agụmakwụkwọ

dezie

Mickalene Thomas mụrụ na Jenụwarị 28, 1971 na Camden, New Jersey . [1] A zụlitere ya na Hillside na East Orange. [4] Ọ bụ nne ya Sandra "Mama Bush" Bush zụlitere ya, onye, na 6'1" ogologo, nke e mere na 1970. [5] O kpughere Mickalene na nwanne ya nwoke maka nka site n'ịdebanye aha ha na mmemme ụlọ akwụkwọ na Newark Museum, na Henry Street Settlement na New York. [6] Nne Thomas zụrụ ya na nwanne ya nwoke bụ ndị Buddha. Mgbe ọ dị afọ iri na ụma, Mickalene na nne ya nwere mmekọrịta chiri anya na nke siri ike n'ihi ịṅụ ọgwụ ọjọọ nke nne na nna ya na Thomas na-emeso mmekọahụ ya, bụ nke o depụtara na mkpirikpi ihe nkiri Ezi ụbọchị ọmụmụ nwa nwanyị mara mma: A Portrait of My Mother . [7]

Thomas biri wee gaa ụlọ akwụkwọ na Portland, Oregon, site n'etiti 1980s ruo na mmalite '90s, na-amụ akwụkwọ iwu iwu na ihe nkiri nka. Thomas nwetara BFA ya site na Pratt Institute na 2000 yana MFA ya site na Yale School of Art na 2002. [8] Thomas sonyere na mmemme obibi na Studio Museum na Harlem, New York site na 2000 ruo 2003. [9] O sonyekwara na ebe obibi na Giverny, France na Versailles Foundation Munn Artists Programme. [10] Ọ na-ebi ugbu a ma na-arụ ọrụ na Brooklyn, NY.

Ihe osise, ụdị na mmetụta

dezie
Faịlụ:Left Behind 2 Again by Mickalene Thomas, 2012.jpg
Hapụ n'azụ 2 Ọzọ site n'aka Mickalene Thomas, 2012, Ụlọ ihe ngosi nka nke Honolulu

N'oge ọ bụ nwata, ọ hụrụ onwe ya na-emikpu n'ọdịbendị na-eto eto nke ndị na-ese ihe na ndị na-egwu DIY, na-eduga ya ịmalite ọrụ nke ya. Mickalene kwuru na mgbe ọ ghọrọ onye na-ese ihe, ejiji na-adị mgbe niile "n'azụ uche m" dị ka isi iyi nke mkpali. [5] Jacob Lawrence, William H. Johnson, na Romare Bearden [4] kacha metụta ya bụ ọrụ Carrie Mae Weems, karịsịa ya Kitchen Tebụl na Ain't Jokin series, nke bụ akụkụ nke nlegharị anya e mere na Portland Art Museum na 1994. [6] Thomas na-akọwa nzute ahụ n'ụzọ dị otú a: "Ọ bụ oge mbụ m hụrụ ọrụ site n'aka onye na-ese ihe n'Africa-American nke gosipụtara onwe m ma kpọọ onye maara nke ọma banyere ọnọdụ ezinụlọ na mmekọahụ na okike." [11] Ọ bụghị naanị na ọrụ Weems na-ekere òkè na mkpebi Mickalene Thomas ịgbanwe ọmụmụ ihe na itinye akwụkwọ na Pratt Institute na New York mana iji ahụmịhe ya wee gbanwee ya ka ọ bụrụ nka. [12] Thomas ekwupụtakwala na Faith Ringgold nyere mmetụta siri ike n'iguzobe ụzọ Thomas. [13]

Ihe ngosi ya nke ụmụ nwanyị Africa-American na-enyocha echiche nke ndị a ma ama na njirimara mgbe ha na-etinye aka na ihe nnọchianya nke nwanyị ojii na ike ojii. N'ịbụ ndị na-ebi ụdị '70s-style of Blaxploitation ', isiokwu ndị dị na ihe osise Thomas na collages na-egbuke egbuke mmekọahụ, nke ụfọdụ sụgharịrị dịka satire nke misogynistic na ịkpa ókè agbụrụ na mgbasa ozi, gụnyere ihe nkiri na egwu metụtara ụdị Blaxploitation . [14] Ụmụ nwanyị ndị na-akpali agụụ mmekọahụ na-achịkwa ụgbọ elu foto ahụ ma gbaa ya gburugburu site n'ụdị ihe ịchọ mma sitere n'ike mmụọ nsọ nke nwata ya [15] dị ka Left Behind 2 Ọzọ site na 2012, na nchịkọta nke Honolulu Museum of Art . Ihe ndị ọ na-achị na-abụkarị ụmụ nwanyị a ma ama dị ka Eartha Kitt, Whitney Houston, Oprah Winfrey, na Condoleezza Rice . [16] Eserese ya nke Michelle Obama bụ ihe osise mbụ nke nwanyị mbụ mere wee gosipụta ya na ihe ngosi nke ndị America ugbu a nke National Portrait Gallery . [17]

N'ihe ngosi 2017 solo ya " Mentors, Muses, and Celebrities " na Contemporary Art Museum St. Louis (CAM), [18] Thomas mepụtara nrụnye mgbasa ozi dị iche iche na-adabere na ụmụ nwanyị ojii na akụkọ-arcs nke akụkọ nke ha. Dị ka onye nkatọ nka Rikki Byrd si kwuo: "N'ịkwalite ụmụ nwanyị ojii - ndị na-ese ihe, ndị na-eme ihe nkiri, ndị na-eme ihe nkiri na ezinụlọ ya - dị ka ndị ndụmọdụ na ihe ngosi nka, na dị ka ndị dike n'usoro ọmụmụ nke ha, Thomas na-ewepụ akụkọ mmegbu." [19]

Ọtụtụ afọ Thomas nọrọla n'ịmụ akụkọ ihe mere eme nka, eserese eserese, eserese odida obodo, na ndụ emeela ka ọ mara ọrụ ya. Ọ adọtala mmụọ site n'ọtụtụ oge nka na mmetụta ọdịbendị n'oge akụkọ ihe mere eme nke ọdịda anyanwụ, ọkachasị ndị ọgbara ọhụrụ dị ka Jean-Auguste-Dominique Ingres, Pablo Picasso, Henri Matisse na Édouard Manet yana mmetụta ndị ọzọ dị ugbu a dị ka Romare Bearden na Pam Grier. . [20] Ọ na-esetịpụ ọnụ ọgụgụ ya n'ụdị poses oge gboo na ntọala nkịtị nke ndị nka ọgbara ọhụrụ na-ewu ewu dị ka ụzọ isi nwetaghachi ụlọ ọrụ maka ụmụ nwanyị ndị egosipụtara dị ka ihe achọrọ ma ọ bụ wetuo ala. [21]

Faịlụ:Mama Bush II, Keep the Home Fires Burnin', 2006, Mickalene Thomas at Rubell DC 2022.jpeg
Mama Bush II, debe ọkụ nke ụlọ na-ere ọkụ' (2006) na Rubell Museum DC na 2022, ihe atụ nke ọrụ Thomas na rhinestones.

A maara Thomas maka eserese mgbasa ozi agwakọta nke ọma nke mejupụtara rhinestones, acrylic, na enamel nke na-egosi "ọhụụ mgbagwoju anya nke ihe ọ pụtara ịbụ nwanyị ma gbasaa nkọwa nke ịma mma." [22] Rhinestones na-eje ozi dị ka oyi akwa agbakwunyere nke pụtara yana ihe atụ maka nka. Rhinestones na-emesi ihe dị iche iche nke eserese ọ bụla ike, ebe ọ na-eji aghụghọ eche echiche anyị banyere ihe bụ nwanyị na ihe na-akọwa nwanyị, karịsịa ụmụ nwanyị ojii. Dị ka akwụkwọ akụkọ Financial Times si kwuo, "Ịkpọsa ọhụhụ nke ya na nke ụmụ nwanyị ndị ọzọ na-acha agba bụ isi ihe omume Thomas, bụ nke na-etinye ahụ nwanyị ojii n'ime akụkọ ihe mere eme nke nkà site n'itinye muses ya na ihe ngosi ngosi na ntọala." [23] Thomas, na ndị na-ahụ maka ọrụ ya, na-ahụ ọkwa Thomas dị ka nwanyị nwanyị ojii dịka akụkụ nke ihe na-eme ka anya ya dị iche na nke ndị omenkà ọcha na akụkọ ntolite. [23]

Okwu Thomas na-abụkarị ụmụ nwanyị nwere agba; ụzọ isi gosi na inye ụmụ nwanyị ike na ime emume omenala na ịma mma ha—mgbe ụfọdụ site n'itinye ha n'ime ihe osise ọdịda anyanwụ. Dịka onye otu, na mmụọ nsọ, mmegharị nka nka nke Post-Black, ọrụ Thomas na-akọwapụta echiche gbasara agbụrụ, okike, na mmekọahụ. [14] Thomas na-eme ka ọdịiche dị n'etiti ihe na isiokwu, ihe siri ike na nke nkịtị, nke dị adị na nke echiche. Ndị ọ na-achị na-elekarị anya na onye na-ekiri ya, na-ama aka ike nke nwoke na-ele anya na nkà. [14] Ngosipụta nke a na-ekwusi ike na-egosi na ụdị ahụ dị jụụ na akpụkpọ ahụ nke ha, si otú a na-ama aka n'echiche nke nwanyị gbachiri nkịtị na nke dị ala nke onye anya na-ele anya jụrụ. Tụkwasị na nke ahụ, mkpebi ndị yiri ihe na-abaghị uru (dị ka ọ bụghị ịgbatị ntutu isi nke ọnụ ọgụgụ ahụ) nwere mmetụta dị mkpa nke na-agba ndị inyom na-agba ume ịnakwere onwe ha dị ka ha dị ma ghara ikwekọ n'otu echiche nke ịma mma nke ọha mmadụ kwadoro. [14]

Le Déjeuner Sur l'Herbe: Les Trois Femmes Noires

dezie

Le déjeuner sur l'herbe: Les Trois Femmes Noiresbụ eserese nke onye na-ahụ anya onye Africa-American Mickalene Thomas mere. Aha nke eserese a sụgharịrị site na French dị ka nri ehihie na ahịhịa: Ụmụ nwanyị ojii atọ. Eserese a bụ ihe eserese nke Édouard Manet nke 1863 nke akpọrọ Le dejeuner sur l'herbe</link> . [24] Mpempe Thomas na-egosi ụmụ nwanyị ojii atọ ndị e ji agba mara mma chọọ ya mma, uwe nwere ụkpụrụ vine, na ntutu dị ka Afro na-egbuke egbuke. [25] Ndokwa nke ụmụ nwanyị na ihe ngosi na-echetara isiokwu nke ibe Manet, mana anya dị ike nke ụmụ nwanyị atọ ahụ na-adabere na onye na-ekiri ya. [25] Thomas kere eserese ahụ, akụkụ ya kachasị ukwuu n'oge ahụ, na 2010 mgbe ụlọ ọrụ Museum of Modern Art (MoMA) nyere ya na New York City ka o mepụta ihe ngosi maka windo n'okporo ámá nke 53 nke ụlọ oriri na ọṅụṅụ Museum The Modern. [26]

Nkọwa

dezie

Le déjeuner sur l'herbe: Les Trois Femmes Noires was created in three stages.[27] First, Thomas photographed three models in the sculpture garden of the MoMA to make the piece "site-specific".[27] Thomas then created a collage using the photograph as a base material and added other elements.[24] This collage now hangs in the lobby of the P.S.1, an extension of the MoMA in Queens that houses unconventional contemporary artwork.[28] The third, painted version was based on the original photograph but composed of collage-like painted segments on wood panels and rendered in acrylic, oil, enamel, and rhinestones.[29]

Eserese ahụ kwụ n'ogo 10 n'ogologo wee gbatịa ụkwụ 24 n'obosara. [25] Thomas ekwuola na ọ họọrọ nnukwu eserese ahụ ka ọ "weghara oghere" n'ụzọ anụ ahụ na n'ụzọ ihe atụ n'ime oghere ndị nwoke na-ese ihe ọcha na-achị. [25] Nrụnye mbụ nke eserese ahụ dị na windo nke ụlọ oriri na ọṅụṅụ nke Modern, MoMA a ma ama. [24] Mgbe a na-egosipụta ebe a, a na-ahụ mpempe akwụkwọ ahụ kwa awa n'ụbọchị n'ihi na ndị na-agafe agafe na-ahụ ya n'okporo ámá; nnweta a mere Le déjeuner sur l'herbe: Les Trois Femmes Noires</link> Ihe kacha mma Thomas. [24]

Ihe ndị a na-ese na eserese ahụ bụ rhinestone atọ, ndị inyom na-eji ejiji mara mma. [25] Ụdị ndị bụ isiokwu nke mbụ Le déjeuner sur l'herbe: Les Trois Femmes Noires</link> foto niile bụ enyi Thomas nke na-ahụkarị n'ọtụtụ foto ya. [24] Ụmụ nwanyị atọ ahụ yi uwe zuru oke - ma e jiri ya tụnyere isiokwu ụmụ nwanyị gba ọtọ dị na ụdị ihe nkiri Manet - na uwe mara mma nke Thomas n'onwe ya haziri, ha na-anọdụkwa n'elu akwa ndị omenkà mere. [25] A na-eji ọtụtụ ihe eji eme ihe n'oge ọrụ. Thomas na-ekwu na nkwekọ nke ụkpụrụ a na-anọchite anya "mmekọrịta nke ihe niile dị iche iche anyị bụ dị ka ndị America." [29] N'azụ ụmụ nwanyị dị na foto ahụ na eserese a na-anọdụ ala ihe ọkpụkpụ Matisse nke dị n'azụ ụmụ nwanyị nọ n'ogige ihe ọkpụkpụ. [26]

Mmetụta

dezie

Le déjeuner sur l'herbe: Les Trois Femmes Noires is unmistakably based on Édouard Manet's 1863 painting Le Déjeuner sur l'herbe. Manet's piece, which caused intense controversy at the time of its creation, exhibits two undressed women who are sitting comfortably with two formally dressed men at a picnic.[27] While one of the nude women is crouched in the background, the three other subjects lounge in the foreground.[25] The female subject in the foreground is looking out, meeting the gaze of the viewer, while the two men next to her are casually looking around.[25]

Ntụaka

dezie

akpakọ eri nke akụkọ onwe ya na gburugburu gburugburu ọha. Isi mmalite nke mkpali ya gụnyere njikọ ezinụlọ na ncheta nwata na South Texas, yana mmetụta nke ndị ọgbara ọhụrụ nke narị afọ nke 20 dị ka Romare Bearden, Elizabeth Catlett, na William H. Johnson. Ọ na-etinye bọtịnụakpakọ eri nke akụkọ onwe ya na gburugburu gburugburu ọha. Isi mmalite nke mkpali ya gụnyere njikọ ezinụlọ na ncheta nwata na South Texas, yana mmetụta nke ndị ọgbara ọhụrụ nke narị afọ nke 20 dị ka Romare Bearden, Elizabeth Catlett, na William H. Johnson. Ọ na-etinye bọtịnụ

  1. ↑ 1.0 1.1 1.2 "Mickalene Thomas", Artnet, Retrieved 2 December 2018.
  2. ↑ Mickalene Thomas: Femmes Noires (en). Art Gallery of Ontario. Retrieved on 2019-03-30.
  3. ↑ From the Archives: Mickalene Thomas on Why Her Work Goes 'Beyond a Black Esthetic,' in 2011 (14 September 2018).
  4. ↑ 4.0 4.1 THOMAS, MICKALENE, and SEAN LANDERS. "MICKALENE THOMAS." BOMB, no. 116 (2011): 30-38
  5. ↑ 5.0 5.1 Sacharow (2015). Brooklyn Street Style: The No-Rules Guide to Fashion. New York: Abrams Image, 209. ISBN 9781419717956. 
  6. ↑ 6.0 6.1 Landers, Sean. "Mickalene Thomas." Artists in Conversation. BOMB Magazine, Summer 2011.
  7. ↑ Rosenberg, Karen. "Mickalene Thomas Rediscovers Her Mother — and Her Muse", The New York Times, September 29, 2012.
  8. ↑ mickalenethomas.com. Archived from the original on 2020-07-11. Retrieved on 2024-06-09.
  9. ↑ "Artists-in-Residence", Studio Museum in Harlem, Retrieved 2 December 2018.
  10. ↑ exhibit-e.com. Mickalene Thomas - Artists - Lehmann Maupin. www.lehmannmaupin.com. Retrieved on 2017-04-24.
  11. ↑ Artomity Magazine. "Mickalene Thomas", Artomity, December 15, 2016.
  12. ↑ Museum, Brooklyn. "In Conversation: Mickalene Thomas and Carrie Mae Weems". YouTube, January 11, 2013.
  13. ↑ For Mickalene Thomas, Success Is About Elevating Others (en-US). ELEPHANT (2020-04-15). Retrieved on 2021-03-11.
  14. ↑ 14.0 14.1 14.2 14.3 Murray (March 2014). "Mickalene Thomas". American Art 28 (1): 9–15. DOI:10.1086/676624. ISSN 1073-9300. 
  15. ↑ Dailey, Meghan, "In the Studio: Mickalene Thomas", Art + Auction, March 2009.
  16. ↑ Kino. "A Confidence Highlighted in Rhinestones", The New York Times, April 7, 2009. Retrieved on 2017-03-12.
  17. ↑ Capps, Kriston. 1st First Lady Portrait in D.C.. NBC Washington. August 22, 2010
  18. ↑ Mickalene Thomas: Mentors, Muses, and Celebrities (2017-12-31).
  19. ↑ Byrd (November 27, 2017). "Mickalene Thomas Makes Black Women the Protagonists of Their Own Stories". Hyperallergic. 
  20. ↑ Mickalene Thomas | Artist Profile (en-US). NMWA. Retrieved on 2021-03-11.
  21. ↑ Landers (Summer 2011). "Mickalene Thomas". Bomb: 30–38. 
  22. ↑ Mickalene Thomas. Pier 24. Retrieved on 2019-03-14.
  23. ↑ 23.0 23.1 Belcove. "Artist Mickalene Thomas: 'It was always a political statement': The US artist and photographer on introducing the black female body into art history", Financial Times, August 31, 2018.
  24. ↑ 24.0 24.1 24.2 24.3 24.4 A Window on Art (en). Observer (2010-04-21). Retrieved on 2019-12-05.
  25. ↑ 25.0 25.1 25.2 25.3 25.4 25.5 25.6 25.7 Mickalene Thomas's masterpiece (en). Art Gallery of Ontario. Retrieved on 2019-12-05.
  26. ↑ 26.0 26.1 - A Sky Filled With Shooting Stars - Press - Lehmann Maupin. www.lehmannmaupin.com. Retrieved on 2019-12-05.
  27. ↑ 27.0 27.1 27.2 Ates. How Mickalene Thomas Is Ushering in a New Wave of Contemporary Art (en). Smithsonian. Retrieved on 2019-12-05.
  28. ↑ MoMA PS1 (en). www.moma.org. Retrieved on 2019-12-05.
  29. ↑ 29.0 29.1 Feature: Mickalene Thomas (en-US). AFROPUNK (2014-01-10). Retrieved on 2019-12-05.

Ọgụgụ ọzọ

dezie
Ewepụtara na https://ig.wikipedia.org/w/index.php?title=Mickalene_Thomas&oldid=174511