Michael Holman (filmmaker)
| ụdịekere | nwoke  |
|---|---|
| aha enyere | Michael |
| aha ezinụlọ ya | Holman |
| ọrụ ọ na-arụ | onye egwu |
Michael Thomas Holman bụ ónyé na-ese ihe, ónyé édémédé, ónyé na-eme ihe nkiri na ónyé na-eti egwu na New York.[1] Ọ bụkwa onye na-ahụ maka ọdịbendị n'etiti ọbọdọ na mmalite afọ 1980 na onye mepụtara mmemme egwu Hip Hop Graffiti Rock. Holman bụ onye guzobere, ya na Jean-Michel Basquiat, nke otu nnwale Gray.[2]
N'afọ 2016, ọbá akwụkwọ ọha na eze nke New York nwetara ihe ndekọ Holman màkà Performing Arts na Lincoln Center.[3] National Museum of African American History and Culture nwetara ihe ndị ọzọ Holman. Holman emeela ya Confessions Of A Subculturalist spoken word performance na Bruno Walter Auditorium na Lincoln Center, na ụda na vidiyo ya The Subjective Gaze, Parts 1&2 performance na New York City's Museum of Modern Art.
Holman dèrè ma duzie Nile Rodgers 'We Are Family Foundation 10th Anniversary Gala na Tommy Boy Music 30th Anniversory Performance na Montreux Jazz Festival.
Ọrụ
dezieHolman nwetara nzèrè Bachelor of Economics na Mahadum San Francisco na 1978.[4] O mechara gaa New York University Graduate School of Film.
Mgbè ọ na-agba egwú na disko dị n'ebe ugwu California, a kpọbatara ya n'òtù egwu egwu a na-akpọ The Tubes.[5]
Na Mée 1978, Holman kwagara New York City ịrụ ọrụ na Wall Street.[5] N'ebe ahụ, ọ chọpụtara otu Fab Five graffiti ma bụrụ enyi Fab 5 Freddy.[5]
Ihe nkiri na telivishọn
dezieHolman mere nkírí nka dị mkpirikpi nke gosipụtara na The Mudd Club, Tier 3, The Ritz na ebe egwu ndị ọzọ.
N'afọ 1984, Holman mepụtara ma kwado ihe ngosi telivishọn hip-hop dị mkpirikpi, Graffiti Rock .[6]
A gwara Holman ma nye ya akụkọ mmepe na ihe nkiri maka ihe nkiri Miramax nke 1996 Basquiat, nke Julian Schnabel duziri.[7] Ọ pụtakwara na ihe nkiri nke gosipụtara ndụ onye otu ya nwụrụ anwụ Jean-Michel Basquiat.[5]
Holman dere, mepụta ma duzie mmemme telivishọn ụmụaka maka Nickelodeon Network, ọkachasị Blue's Clues na Eureekańs Castle.[8]
Akwụkwọ akụkọ na agụmakwụkwọ
dezieDị ka onye edemede na onye nta akụkọ, Holman edeela maka East Village Eye, ArtForum na Art Monthly.[9]
Nkà mara mma
dezieHolman mepụtara na Mudd Club, ọkachasị The Soul Party na 1980.
Ọbá akwụkwọ ọha na eze nke New York maka Performing Arts, Jerome Robbins Dance Division nwetara ihe ndekọ Holman na 2016. N'otu afọ ahụ, National Museum of African American History and Culture nwetara ole na ole Holman si na 1980s.
Ndị a nabatara
dezieHolman natara Paulette Goddard Award, Best Film, NYU, maka Head's, You Win, na 1987.
O meriri Best Video Of The Year site na Rolling Stone Magazine maka Run DMC music video Christmas In Hollis na 1987.
Eureeka's Castle meriri Cable Industry Ace Award na 1990.[10]
Ihe nkiri
dezie- Ihe osise Rock (1984)
- New York Beat Movie (1981)
Edensibia
dezie- ↑ With East Village exhibition, the art of Jean-Michel Basquiat comes home (en-us). PBS NewsHour (May 6, 2019). Retrieved on August 9, 2020.
- ↑ Boch (2017). The Mudd Club (in English). Port Townsend, WA: Feral House, 82. ISBN 978-1-62731-051-2. OCLC 972429558.
- ↑ The New York Public Library for the Performing Arts Acquires Michael Holman Archive, First Hip-Hop Collection in its Holdings. The New York Public Library. Retrieved on 2022-01-07.
- ↑ New York Stories: Michael Holman (en). Redbull Music Academy. Retrieved on 2020-08-09.
- ↑ 5.0 5.1 5.2 5.3 Early Hip-Hop Evangelist Michael Holman on New York, Basquiat and Graffiti Rock (en). Redbull Music Academy. Retrieved on 2020-08-09. Kpọpụta njehie: Invalid
<ref>tag; name ":0" defined multiple times with different content - ↑ "'Graffiti Rock' Tunes In On the Hip-Hop Culture", The New York Times, 1984-06-28. Retrieved on 2022-01-07. (in en-US)
- ↑ Turan. "'Basquiat': The Tortures of Creative Life", Los Angeles Times, August 6, 1996.
- ↑ Michael Holman. IMDb. Retrieved on April 28, 2022.
- ↑ Gonzalez. "A One-Episode Show With a Lasting Impact on Hip-Hop", The New York Times, 2013-07-22. Retrieved on 2022-01-07. (in en-US)
- ↑ Louie. "Style Makers; Eli Noyes and Kit Laybourne, Children's Broadcasters", The New York Times, 1990-04-22. Retrieved on 2022-01-07. (in en-US)