Faịlụ:Ahearn Torres Inhotim Brumadinho 05.jpg

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Mmẹkụwátá

Nkówá John Ahearn/Rigoberto Torres, Inhotim in Brumadinho/Brazil
Ǹgụ́ụ̀bọ̀chị̀
Mkpọlọ́gwụ̀ P1080607
Odé ákwụ́kwọ́ régine debatty

Nkwényé

w:en:Creative Commons
í-kpó-áhà gbásàa kà
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I wepulara nóru:
  • i nye – ikọpị,ikekasi na izịpụ ọru a
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  • í-kpó-áhà – Ị ga-enyerịrị ugo kwesịrị ekwesị, nye njikọ na ikikere ahụ, ma gosikwa ma emere mgbanwe. Ị nwere ike ime ya n'ụzọ ezi uche ọ bụla, mana ọ bụghị n'ụzọ ọ bụla na-egosi na onye nyere ikikere kwadoro gị maọbụ ojiji gị.
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This image, originally posted to Flickr, was reviewed on 14 July 2011 by the administrator or reviewer Túrelio, who confirmed that it was available on Flickr under the stated license on that date.

Brazil

The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.

Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.

See COM:CRT/Brazil#Freedom of panorama for more information.

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Possibly copyrighted in the U.S.

This work might not be available under a free license in the United States because it is based on an artwork or sculpture that may be protected by copyright under U.S. law. (Commons is hosted in the United States and as such, U.S. law is applicable.)
  • In the source country of the artwork or sculpture, taking photographs of such works permanently located in a public place does not generally infringe on their copyright, under a principle known as "freedom of panorama".
  • In U.S. law, there is no freedom of panorama for artwork or sculptures, and under the choice-of-law principle lex loci protectionis, U.S. courts might apply U.S. freedom of panorama standards to this work, rather than the standards of the source country. However, in practice, it is unsettled whether and how this approach would be applied in real-world U.S. legal cases involving freedom of panorama elements.
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Nkowapụta

Tinye nkọwa otu ahịrị ihe faịlụ a na-anochi anya ya.

Ihe ndị egosiri na faịlụ a

depicts Bekee

24 Novemba 2007

0.005 second

f-number Bekee

4.9

6.3 millimetre

ISO speed Bekee

100

image/jpeg

checksum Bekee

70e96eb80631868b576ab93df54117f0c144c1f4

data size Bekee

4,532,118 byte

4,224 pixel

width Bekee

2,376 pixel

Ịta nke usòrò

Bìri èhì/ogè k'ị hụ òtù ụ̀fa dị̀ m̀gbè ahụ̀.

Èhì/OgèMbọ-akaÓgólógó na asaáÒjìèmeNkwute
dị ùgbu â08:30, 13 Julaị 2011NvóÁká màkà otù ȯ dị nà 08:30, 13 Julaị 20112,376 × 4,224 (4.32 MB)Gerardus{{Information |Description=John Ahearn/Rigoberto Torres, Inhotim in Brumadinho/Brazil |Source=[http://www.flickr.com/photos/nearnearfuture/3055816284/ P1080607] |Date=2007-11-24 15:29 |Author=[http://www.flickr.com/people/44124408791@N01 régine debatty]

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