Wikipedia

Clea Badaro

Omenkà Ijipt (1913–1968)

Clea Badaro (1913-1968) bụ onye Ijipt na-ese ihe na Ònye gwara na-ese onyinyo nke biri ihe ka ukwuu n'oge ndụ ya na Alexandria, Ijipt.[1]

Mbido ndụ na agụmakwụkwọ

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A mụrụ Badaro na Cairo na 1913, n'àgwàetiti Zamalek . Mgbe nne ya bụ onye Gris nwụsịrị, nna ya, onye bụ onye ọka iwu na onye ọchụnta na ego, kpọọrọ ụmụ nwanyị ahụ na-erizi ụmụ izrel ya nwanyị abụọ, Jeanne na Clea, soro nne nne ha biri na Montreux, Switzerland.[2]

Badaro gara ụlọ akwụkwọ na Montreux ruo mgbe ọ dị afọ iri na isii wee debanye aha na Académie des Beaux Arts na Lausanne. N'ebe ahụ, o mepụtara ọtụtụ ihe ngosi, otu n'ime ụkpụrụ ezubere mmadụ mata dị ha ọ resịrị Josephine Baker onye na-eme njem na Switzerland n'oge ahụ. N'afọ ikpeazụ ya, e nyere ya Grand Prix maka ihe ngosi ya akpọrọ L'Égypte, nke Ministri nkwukọrịta Ijipt mechara nweta. Ọ gụsịrị akwụkwọ n'ihe dị ka 1934.   [citation needed]

Ọrụ

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Badaro laghachiri Ijipt mgbe ọ gụsịrị akwụkwọ wee biri na Alexandria. N'oge agha, ọ rụrụ ọrụ n'ụlọ ọgwụ na ụlọ oriri na ọṅụṅụ nke ndị agha na-alọta site n'agha n'ọzara ugwu na-agakarị. N'oge ahụ, o sere ihe nkiri nke ndị édémédé mkpu na ndị ọzọ metụtara ebe ndị ọzọ metụtara ọrụ ụgbọ mmiri, ụlọ mmanya, na ndị agha na cabarets, ụfọdụ n'ime ha taa nwere ike ịchọta na ebe ngosi nka nke oge a n'Ijipt. O guzobere ụlọ ọrụ na Atelier nke Alexandria . [3][4] A kọwaara ya onye Britain na-ede akwụkwọ akụkọ Lawrence Durrell, onye e zigara na Alexandria n'oge agha ahụ dị ka onye mgbasa ozi maka British Foreign Office.[1] Badaro sere Durrell, ya onwe ya, ga-emesị gosipụta ya dị ka onye "Clea" na tetralogy ya: The Alexandrian Quartet. [5][6]

E nyere Badaro ọrụ imepụta ihe ngosi maka ihe ngosi na ihe ngosi ọrụ ebere, mana ọtụtụ n'ime ha anaghịzi achọta. Mgbe agha ahụ biri, Badaro malitere usoro ihe osise. Mgbe ahụ, na 1948, ọ nọrọ n'ihe ọmụma na akọwa ọdịnihu dị ka ónyé ọkọchị na na Dolomites, ebe, n'ụzọ a na-adịghị ahụkebe maka ya, o dere ọtụtụ ihe osise ala. Badaro sere ọtụtụ ụmụ nwanyị Bedouin na fellaheen nke Ijipt, na-egosi mmegharị ahụ ha mara mma, omume mpako, na uwe na-agagharị agagharị. Ọ na-ese foto nne na nwa na ndị gba ọtọ.[7]

N'afọ 1950, Clea Badaro lụrụ onye na-ese ihe n'Alexandria bụ Giovanni di Pietro. O sonyere n'ọtụtụ ihe ngosi mba na nke mba ụwa, gụnyere nke ọbọdọ na ahụ na-erizi Biennale nke Venice, Biennale of Alexandria, na ihe ngosi na São Paulo, Moscow, Leningrad, Madrid, na Barcelona.[8]

Badaro na-egosikwa nwamba mgbe ụfọdụ; otu ihe méré ótù nkiri osise dị otú ahụ, La Chatte, nwetara ihe nrite na Salon du Caire na 1958.   [citation needed][citation needed] mgbe mgbe n'ihe osise ya. [Ihe e dere n'ala ala peeji] 

N'afọ 1959, Badaro mere ihe ngosi na Galerie Lutétia na Cairo ma Jean Moscatelli toro ya maka akwụkwọ praịmarị ihe ngosi ya nke ahụ mmadụ na Le Journal d'Égypte .   [citation needed]

In 1963, Badaro travelled to Ravenna, Italy, where she began to paint groups of Egyptian women against a gold background which she worked with a knife to create a mosaic impression. Later, these paintings were dubbed “icons” by the Parisian press.[Tinye edensibịa][citation needed] The art historian Hilde Zaloscer, who taught at the University of Alexandria, compared Clea Badaro’s fellaheen with characters in Pietro Della Francesca’s frescoes in Arezzo.[Tinye edensibịa]

N'afọ 1961, di Badaro nwụrụ ma ya onwe ya nwere nsogbu ahụike. Nwanne ya nwanyị, Jeanne Engalytcheff-Badaro, malitere izi ndị édémédé iwepụtakwu oge na Alexandria, lekọta nwanne ya nwanyị, nyere aka ịhazi ọrụ Atelier ma dee isiokwu mgbe niile maka akwụkwọ akụkọ ya.

N'afọ 1969, n'afọ sochiri ọnwụ nwanne ya nwanyị, Jeanne Engalytcheff-Badaro haziri ihe ngosi nke ọrụ ya na Atelier nke Alexandria: egosiri ọrụ iri anọ gụnyere ihe osise mmanụ na gouache, pastel, ihe osise na-acha anụnụ anụnụ, icheku ọkụ na ihe osise na chalk na-acha ọbara ọbara.   [citation needed] Ndị a gosipụtara ọtụtụ ụmụ nwanyị: ndị na-arịọ arịrịọ, ụmụ nwanyị ahụ na-erizi mmụta sayensị nnyocha nke mgbanwe na-ebe ákwá, ndị nọ n'afọ iri na ụma na ndị na-agagharị na eriri na ìhè na-egbuke egbuke.   N'afọ 1974, Engalytcheff-Badaro haziri ihe ngosi nke ihe osise mmanụ nwanne ya nwanyị, n'oge a na Paris na Galerie Weil. [Ihe e dere n'ala ala peeji] [citation needed]" href="./Category:Articles_with_unsourced_statements_from_January_2018" rel="mw:PageProp/Category"/>

Ihe odide

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  1. ↑ 1.0 1.1 Michael Haag (2004). Alexandria: City of Memory. Yale University Press, 267–. ISBN 978-0-300-10415-8.  Kpọpụta njehie: Invalid <ref> tag; name "Haag2004" defined multiple times with different content
  2. ↑ Engalytcheff-Badaro (1978). Clea Badaro: sa vie, son oeuvre. Alexandria: Les Editions de l'Atelier, 1–2. 
  3. ↑ Philip Mansel (11 November 2010). Levant. John Murray, 310–. ISBN 978-1-84854-462-8. 
  4. ↑ "The Melting Mirage of Lawrence Durrell's White City". B. Redwine, 2007.
  5. ↑ Hala Halim (19 September 2013). Alexandrian Cosmopolitanism: An Archive. Fordham Univ Press, 378–. ISBN 978-0-8232-5176-6. 
  6. ↑ Michael Benanav (2010). Egypt. Lonely Planet, 380–. ISBN 978-1-74220-332-4. 
  7. ↑ Robert Ilbert (1996). Alexandrie 1830-1930. IFAO. ISBN 978-2-7247-0176-0. 
  8. ↑ Liliane Karnouk (2005). 1910 - 2003. American University in Cairo Press. ISBN 978-977-424-859-7. 
  • [Ihe e dere n'ala ala peeji]
  • Ụlọ ọrụ Egypt Progres Salon de l'Atelier, Alexandria, 1967.
  • Onye Na-ahụ Maka Ihe Osise Paris, 1974
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