Alile Sharon Larkin
| ụdịekere | nwanyị  |
|---|---|
| mba o sị | Njikota Obodo Amerika |
| aha enyere | Sharon |
| aha ezinụlọ ya | Larkin |
| ụbọchị ọmụmụ ya | 6 Mee 1953, 13 Mee 1951 |
| Ebe ọmụmụ | Chicago |
| ọrụ ọ na-arụ | onye nhazi ndu ihe nkiri, onye nhazi ederede |
| ebe agụmakwụkwọ | University of Southern California, University of California, Los Angeles, UCLA School of Theater, Film and Television |
| Onye òtù nke | L.A. Rebellion |
Alile Sharon Larkin (amuru May 6, 1953) bu onye ihe nkiri America, onye ode akwukwo na onye isi. Ejikọtara ya na LA Nnupụisi (nke a makwaara dị ka Los Angeles School of Black Filmmakers), [1] [2] [3] nke ekwuru na ọ "gbakọtara wee mepụta sinima ojii megide mgbakọ Hollywood na ihe nkiri Blaxploitation. " [4] A na-ewere Larkin dị ka akụkụ nke ebili mmiri nke abụọ (ma ọ bụ ọgbọ) nke ndị na-ese ihe nkiri ojii na-agbanwe agbanwe, yana Julie Dash na Billy Woodberry . [5] [6] [7] Larkin mekwara otu ntọala Black Filmmakers Collective. [2]
Nzụlite na agụmakwụkwọ
dezieA mụrụ Larkin na Chicago na May 6, 1953. Ọ nwetara nzere bachelọ nke Arts na Humanities na mmemme ịde ihe okike na Mahadum Southern California, gụsịrị akwụkwọ na 1975. [8] Edebanyere Larkin dị ka otu n'ime ndị mbụ so na mmemme Ethno-Communications na UCLA, ruo mgbe ọ kwụsịrị. [9] Larkin debanyere aha na ụlọ akwụkwọ ihe nkiri ama ama nke UCLA na Motion Picture/Television Program, na-agụsị akwụkwọ na Master of Fine Arts na 1982. Na 1991 Larkin gụsịrị akwụkwọ na Master of Education site na California State University na Los Angeles, wee bụrụ onye nkuzi maka afọ 25 na-esote. [8]
Ọrụ
dezieMgbe ọ nọ na UCLA, Larkin duziri ihe nkiri dị mkpụmkpụ 16mm abụọ. Ihe nkiri mbụ ya bụ The Kitchen (1975), na-akọ akụkọ banyere ndakpọ uche nke nwanyị ojii, ma jiri ndụ ya na ngalaba uche tụnyere nke onye nọ n'ụlọ mkpọrọ, na-ele nrụgide na ịkpa ókè o chere ihu ] [ . imegharị uche. [10] Ihe nkiri ya na-esote, Ụmụ Gị Bịaghachikwute Gị (1979), na-enyocha okwu gbasara njikọta nke ndị Africa America n'ime obodo buru ibu. Ihe nkiri ahụ na-eche nsogbu nke akụ na ụba na mmekọrịta ọha na eze ihu, na-egosi ha site n'echiche nwatakịrị. [8] Ihe nkiri a ma eleghị anya ọ kacha mara ya sochiri ụmụ gị Ihe osise dị iche, na 1982. [8] Ihe nkiri a na-enyocha mgbagwoju anya nke mmekọrịta platonic n'etiti nwa agbọghọ nwere onwe ya na nwa okorobịa bụ ezigbo enyi ya. [2] Nleghachi azụ nke ọrụ ya, gụnyere akwụkwọ akụkọ banyere ịme "Onyinye Dị Iche," ka edobere na Fraịde, Disemba 2, 2011, dịka akụkụ nke usoro ihe nkiri bụ isi, "LA Rebellion: Creating New Black Cinema," akụkụ nke Pacific Standard Time: Art na LA 1945–1980 . [3]
Larkin bụkwa odee ebipụtara. E bipụtara edemede ya "Ndị na-eme ihe nkiri Black Women Defining Ourself: Feminism in Our Own Voice" na 1988 na E. Deidre Pribram's Female Spectators: Na-ekiri ihe nkiri na telivishọn, [11] nke bụ akụkụ nke usoro akwụkwọ 13 nke na-abụghị nke a na-akpọ "Ajụjụ maka Feminism". [12] [13] E bipụtara ihe nkiri ya maka onyonyo dị iche (1982) na 1991 n'akwụkwọ nke anakọtara site na ndị na-ese ihe nkiri isii dị iche iche nwere onwe ha, akpọrọ Screenplays of the African American Experience . [8] [14]
Tinyere ndị òtù LA Rebellion ndị ọzọ, Larkin bụ isiokwu nke akwụkwọ akụkọ na-abịa site n'aka onye nduzi Zeinabu Irene Davis kpọrọ mmụọ nke nnupụisi: Black Cinema na UCLA . [4]
Cinematic style na mmetụta
dezieLarkin na-ejikarị ụdị akụkọ na-abụghị nke kwụ n'ahịrị na ihe nkiri ya, a kọwakwara ụdị cinematic ya dị ka iji "collage na ndezi ngwa ngwa, [nke] na-eme ka ọ gbanwee onwe ya nke na-akpaghasị njirimara nke onye nkiri na-atọ ụtọ na enweghị nkebi na akụkọ na onye na-akwado ya. " [15] A kọwawo Larkin dị ka onye na-ese ihe nkiri bụ onye "nyere nnukwu aka na ọganihu nke ụmụ nwanyị ojii na mgba na-aga n'ihu maka nnọchite anya". [16] A na-elekwa ya anya dị ka otu n'ime ndị na-eme ihe nkiri nweere onwe ha n'Afrika America, otu nke "kweerela ịmepụta asụsụ ihe nkiri iji gosipụta nkwanye ùgwù omenala na echiche ndị ojii." [17]
Ihe nkiri
dezie| Afọ | Aha | Ọrụ (ọrụ) | Onye nkesa | Nyocha |
|---|---|---|---|---|
| 1975 | Ụlọ kichin | Onye nduzi, onye ode akwụkwọ, onye mmepụta ihe, onye nchịkọta akụkọ | ||
| 1979 | Ụmụ gị na-abịakwute gị | Onye nduzi, onye ode akwụkwọ, onye mmepụta ihe, onye nchịkọta akụkọ | Ụmụ nwanyị Na-eme Ihe nkiri | 2011: LA nnupụisi: Ịmepụta ihe nkiri ojii ọhụrụ |
| 1982 | Onyonyo dị iche | Onye nduzi | Ụmụ nwanyị Na-eme Ihe nkiri | 2011: LA nnupụisi: Ịmepụta ihe nkiri ojii ọhụrụ </br> 2003: Ụlọ Akwụkwọ Ụlọ Akwụkwọ Los Angeles na UC Irvine </br> 1982: Black Talkies na Parade Film Festival |
| 1984 | Nrọ m bụ ịlụ onye isi ala Africa | Onye nrụpụta | ||
| 1986 | Kedu Agba bụ Chineke? | Onye nrụpụta | ||
| 1987 | Miss Fluci Moses | Onye nduzi | ||
| 1991 | Dreadlocks na agba atọ | Onye nduzi, onye edemede, onye mmepụta | 2011: LA nnupụisi: Ịmepụta ihe nkiri ojii ọhụrụ | |
| 1998 | Mz Medusa | Onye nduzi | ||
| 2000 | Ụzọ Ngọzi | Nkedo |
Ihe nrite na nnabata
dezie- 1982: Nrite 1st, Black American Cinema Society Award maka onyonyo dị iche [1]
Ntụaka
deziedebanyere aha na ụlọ akwụkwọ ihe nkiri ama ama nke UCLA na Motion Picture/Television Program, na-agụsị akwụkwọ na Master of Fine Arts na 1982. Na 1991 Larkin gụsịrịbonye na-ese ihe nkiri bụ onye "nyere nnukwu aka na ọganihu nke ụmụ nwanyị ojii na mgba
- ↑ 1.0 1.1 Alile Sharon Larkin. Women Make Movies (2007). Retrieved on November 14, 2011. Kpọpụta njehie: Invalid
<ref>tag; name "WMM-Larkin" defined multiple times with different content - ↑ 2.0 2.1 2.2 Deane (2011). Alile Sharon Larkin entry. Film Directors Site.Com. Visible Ink Press. Retrieved on November 14, 2011. Kpọpụta njehie: Invalid
<ref>tag; name "FDS-Larkin" defined multiple times with different content - ↑ 3.0 3.1 Prime. A Different Image (1982); Creating a Different Image: Portrait of Alile Sharon Larkin (1989); Dreadlocks and the Three Bears (1991); Your Children Come Back to You (1979). UCLA Film and Television Archives. Retrieved on November 14, 2011. Kpọpụta njehie: Invalid
<ref>tag; name "LAR-Larkin" defined multiple times with different content - ↑ 4.0 4.1 Davis (2014). "Keeping the black in media production: one L.A. Rebellion filmmaker's notes". Cinema Journal 53 (4): 157–161. DOI:10.1353/cj.2014.0054. Kpọpụta njehie: Invalid
<ref>tag; name ":0" defined multiple times with different content - ↑ Masilela (1993). "The los angeles school of black filmmakers". Black American Cinema.
- ↑ Massood (1999). "An Aesthetic Appropriate to Conditions: Killer of Sheep, (Neo)Realism, and the Documentary Impulse". Wide Angle 21 (4): 20–41. DOI:10.1353/wan.2004.0004.
- ↑ Ogunleye (2007). "Transcending the Dust: African American Filmmakers Preserving the Glimpse of the Eternal". College Literature 34: 156–173. DOI:10.1353/lit.2007.0008.
- ↑ 8.0 8.1 8.2 8.3 8.4 Alile Sharon Larkin | UCLA Film & Television Archive. www.cinema.ucla.edu. Retrieved on 2015-10-05. Kpọpụta njehie: Invalid
<ref>tag; name ":1" defined multiple times with different content - ↑ Drake, Olivia Marie. "'The Wig Is Off': TheRole of the UCLA Ethno-Communications Program in the Formation of a Black Cinema Aesthetic." Howard University (2014). Print.
- ↑ The Kitchen | UCLA Film & Television Archive. www.cinema.ucla.edu. Retrieved on 2015-10-05.
- ↑ Larkin (1988). "Black Women Filmmakers Defining Ourselves: Feminism in Our Own Voice". Female Spectators: Looking at Film and Television.
- ↑ Questions for feminism series by Rosemary Pringle. www.goodreads.com. Retrieved on 2015-10-05.
- ↑ Pribram (1988-01-01). Female spectators: looking at film and television. Verso. ISBN 9780860912040.
- ↑ Klotman (1991-01-01). Screenplays of the African American Experience. Indiana University Press. ISBN 0253206332.
- ↑ Reid (2004). "Haile Gerima 'Sacred Shield of Culture'". Contemporary American Independent Film.
- ↑ Heyde (2006). "Black Women Filmmakers Forum: An Alternative Aesthetic and Vision". Black Camera.
- ↑ Marlo (2011). ""Let It Go Black": Desire and the Erotic Subject in the Films of Bill Gunn". Black Camera.
Njikọ mpụga
dezie- Alile Sharon Larkin at IMDb