Alasa Kanya
Alasa Kanya (Sanskrit: अलसकन्या, romanized: Alasakanyā) bụ ụdị nke Surasundari na akara ngosi ndị India, nke na-egosipụta nwanyị ma ọ bụ nwa agbọghọ na-eme ihe ike.[1][2] Enwere ọtụtụ ụdị na nnochite anya onyonyo a, nke a na-ahụta nke ọma na ihe owuwu ụlọ nsọ site n'oge ochie n'ụdị ihe ọkpụkpụ. Ekwenyere na ihe nnọchianya ụmụ nwanyị ndị a bụ nraranye nye Devi na njirimara ya. Ọtụtụ ụdị dị otú ahụ na-achọ ụlọ nsọ Odisha mma.[1]
Akụkọ ihe mere eme na mmalite
dezie
N'ọtụtụ ebe enwere ụdị onyonyo nwanyị atọ n'ime ihe owuwu ụlọ nsọ Hindu - chi, nke ọkara nke Chukwu na nke ụwa. Ihe oyiyi dị nsọ bụ ihe ngosi nke chi nwanyị, guzo naanị ya yana Vishnu, Brahma na Shiva. A na-ewere ihe ngosi ụmụ nwanyị ndị ọzọ a na-ahụkarị na ụlọ nsọ dị ka Apsara na Surasundari dị ka ọkara nke Chukwu. Mgbe ụfọdụ, a na-anọchi anya ha dị ka ndị na-eje ozi nke nwanyị Chineke. Ewezuga chi na ọkara nke Chukwu, a na-akọwa ihe nnọchianya nke nwanyị nke ụwa dị ka ndị nkịtị.[1] Ụfọdụ ndị ọkà mmụta na-akọwa Alasa Kanya dị ka ndị Nayikas nke ụwa, ọ bụ ezie na otu n'ime ọkà mmụta a ma ama, Donaldson na-ezo aka Alasa Kanya dị ka Apsara, ndị bụ ihe atụ nke Chineke.[2]. Otu n'ime ntụaka izizi banyere Alasa Kanya bụ na akwụkwọ ntuziaka Shilpa Prakasha nke narị afọ nke itoolu.[2]
Ọdịdị na ọnọdụ
dezieA na-egosipụta Alasa Kanya n'ụzọ na-akpali agụụ mmekọahụ, iji mee ka nwoke nwee mmasị na anya ha na-egwuri egwu. Ọnọdụ Alasa Kanya na-ejikarị aka ya n'elu isi ya na uromandali hasta, agbanyeghị ọnọdụ ha na-agbanwe dabere na ọnọdụ ha ma ọ bụ ọnọdụ ha n'ụlọ nsọ ahụ.[3] N'ọnọdụ ụfọdụ, ndị alasa kanya guzo n'otu n'usoro, nke a na-akpọ Nari Bandhan site na Shilpa Prakasha.[1] Ọnọdụ dị iche iche nke Alasa Kanya sitere na Alasa Yantra ma ọ bụ eserese anwansi nke na-egosi akara maka ọnọdụ dịgasị iche iche.[4]
Shilpa Prakash, ederede akụkọ ihe mere eme na-akọwa ụdị iri na isii nke Alasa Kanya: Torana (otu na-eme ka ogidi), Mugdha (onye aka ya dị ọcha na onye dị mfe), Manini (onye iwe ji), Dalamalika (na-adọba alaka osisi), Padmagandha (na-esi ísì lotus), Darpana (na-ejide enyo), Vinyasa (onye na-eche echiche ma na-atụgharị uche), Ketakibharana (onye na na-eyi okooko ketanamurti), Matrwatị (nne ya na nwa), Chamara (otu onye na-ejide nnụnụ), onye na-eyi otu onye na-egwu nnụnụ) na-egwu (Nukukuk).[5]
A pụkwara ịkọwa ihe ngosi Alasa Kanya na-ezo aka na mmepe nke ụlọ nsọ na Odisha. N'ime narị afọ nke asatọ, a na-etinye ihe oyiyi ụmụ nwanyị dị ka Alasa Kanya naanị ha n'ime niche, nke akwụkwọ mpịakọta gbara gburugburu, ihe oyiyi ahụ nyere echiche nke ịbụ ndị na-etinye onwe ha n'ahụ na-ekpughe mmetụta ọ bụla ma na-esikarị na ihe oyiyi ahụ apụta na niche ha. Na-aga n'ihu na narị afọ nke iri site na mmepe nke atụmatụ Panch Ratha, a na-etinye ihe oyiyi alasa kanya na nkuku nke ụlọ nsọ, ebe a, a naghị ejedebe ihe a tụrụ atụ na niche kama a na-akpụ ya na relief ma bụrụ akụkụ nke ihe nkiri dị iche iche. Site na narị afọ nke iri na otu gaa n'ihu, onyinyo ahụ na-adịwanye mma ma bụrụ ụfọdụ n'ime ihe atụ kachasị mma nke alasa kanya. Ka ịdị elu nke ụlọ nsọ ahụ na-aghọ okpukpu abụọ, a na-etinye ihe oyiyi ahụ n'elu anya na-enye echiche na ha bụ ndị eluigwe ma ọ bụ ndị eluigwe.[1][6]
Ụdị
dezieA kọwara ụdị iri na isii nke Alasa Kanya a kpọtụrụ aha n'ihe odide Shilpa Prakasha n'okpuru ebe a [1]
| Torana | Torana pụtara ọnụ ụzọ ámá, n'ozuzu ya n'ihe gbasara ụlọ nsọ. Dị ka aha ahụ na-egosi, alasa kanya na-eme ka ogidi ma ọ bụ ọnụ ụzọ site na ijikọta aka ya n'elu isi ya. |
| Mugdha | A na-egosi ya dị ka nwanyị ji ọla chọọ ya mma na aka nri ya na naga mudra na aka ekpe ya na-ezu ike n'úkwù ya. |
| Manini | A na-achọkwa Manini mma na ọla dị mma. Aka ekpe ya na-emetụ aka n'okpuru ma na-eweli aka nke ọzọ elu, nke kwenyere na ọ na-egosi mpako. Anya ya na-emeghe ntakịrị ma ọnụ ya na-agbanye, ebe egbugbere ọnụ ala na-egosipụta lasya bhava. |
| Dalmalika | Alaya kanya ji aka nri ya na-ejide isi alaka na njedebe nke ọzọ nke alaka ahụ n'aka ekpe. Mmalite nke ọnụ ọgụgụ a nwere ike ịbụ ashoka dahoda |
| Padmagandha | Ọ bụ onye kachasị mma, na-ejide lotus n'aka ekpe ya ma na-agbadata na ya, ebe aka ya na-ezu ike n'úkwù ya. |
| Darpana | Otu n'ime alasa kanya a na-egosikarị, na-ejide amirron n'otu aka ma na-enwe mmasị n'ịma mma ya na ntutu ya n'ihu. Enwere ike itinye enyo ahụ n'aka ọ bụla, dịka onye na-ese ihe si kwuo. A na-ahụ ọnụ ọgụgụ a na bellur na Khajuro kwa. |
| Vinayasa | Nwa agbọghọ ahụ nọ n'ọnọdụ ntụgharị uche na aka ya na karakacchapika mudra, n'ụdị oyster na aka nke ọzọ dị na japa naysa, dị ka a ga-asị na ọ na-abụ aha chi. |
| Ketakibharana | Alasya guzo ọtọ na-ejide okooko osisi ketaki ma nwee úkwù sara mbara. A na-ewere ọnụ ọgụgụ ahụ dị ka ihe ọma. |
| Matrmurti | Aka ekpe ya na-ejide nwa ọhụrụ, aka nri ya na-anọ n'úkwù ya. Ihe oyiyi a bụ ihe ngosi nke ofufe ọmụmụ. |
| Igwefoto | Ọnọdụ ahụ bụ otu ihe ahụ dị ka matrmurti, n'ọnọdụ a, ọ na-ejide ihe na-achọ nnụnụ kama ọ bụ chinf ma jiri aka ọzọ jide akwa ya. |
| Gunthana | A na-egosi ya site n'azụ ya, na-eguzo n'àgwà nwoke na ụkwụ ya gafere. |
| Nartaki | Ọ na-anọchite anya onye na-agba egwú nke eluigwe na ụkwụ ya gafere ma na-agagharị n'ụdị ịgba egwú. |
| Shukasarika | A na-eji parrot chọọ nwa agbọghọ ahụ mma nke a pụrụ iji aha dochie anya ya. |
| Nupurpadika | Nwa agbọghọ ahụ nwere ahụ mara mma ma na-agbadata n'aka ekpe ya iji kee ma ọ bụ wepụ nkwonkwo ụkwụ ya, na-ejide okooko osisi lotus n'aka nri ya. |
| Mardala | Ọ bụ naanị onye na-agụ egwú n'ime ìgwè nke mmadụ iri na isii, gosipụtara na ọ na-akpọ ngwá egwú na ihu ya na-egosi ka ọ na-efu na egwu. |
Hụkwa
dezie- Ụlọ Nsọ Rajarani
- Ụlọ Nsọ Konark Sun
Ebem si dee
dezie- ↑ 1.0 1.1 1.2 1.3 Secular Female Imagery in Orissan Temple Architecture: the Case of Alasa Kanyas (en-US). The Chitrolekha Journal on Art and Design (2020-07-27). Retrieved on 2023-04-21. Kpọpụta njehie: Invalid
<ref>tag; name ":0" defined multiple times with different content - ↑ Bawa (2002). "From Aditi /Laksmi to Dugdhadharini: A Gendered Analysis of Iconography in Post Mauryan Art". Proceedings of the Indian History Congress 63: 121–137. ISSN 2249-1937.
- ↑ DEVANGANA SCULPTURAL IMAGE STUDY PART-II - POST GUPTA MEDIEVAL DEVANGANAS : THEIR INDIVIDUAL MOTIF ANALYSIS http://dspace.hmlibrary.ac.in:8080/jspui/bitstream/123456789/1719/12/12_Chapter%206.pdf
- ↑ Donaldson (1987). Kamadeva's Pleasure Garden, Orissa (in en). B.R. Publishing Corporation. ISBN 978-81-7018-393-8.
- ↑ Parida (1999). Early Temples of Orissa: From the Sixth Century A.D. to the End of Somavamsi Rule (in en). Commonwealth Publishers. ISBN 978-81-7169-519-5.
- ↑ The Sculpture of Odisha- A Study on Women on Odishan Temple Dr. Ramakanta Bhuyan, International Journal of Innovative Studies in Sociology and Humanities (IJISSH) ISSN 2456-4931 (Online) Volume: 4 Issue: 6 | June 2019,https://ijissh.org/storage/Volume4/Issue6/IJISSH-040604.pdf