Olivier Auber
| ụdịekere | nwoke  |
|---|---|
| mba o sị | France |
| Aha enyere | Olivier |
| aha ezinụlọ ya | Auber |
| Ụbọchị ọmụmụ ya | 1960 |
| asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | French language |
| Ọrụ ọ na-arụ | philosopher |
| Ọrụ ama ama | Poietic Generator |
| onye nlereranya | Francisco Varela, Jean-Louis Dessalles, Diederik Aerts, Anne Cauquelin |
Olivier Auber ( banyere 1960) bụ onye omenkà nọọrọ onwe ya na onye nyọcha . A mara ya nke ọma maka oru ngo ya " Poietic Generator " na maka iwebata echiche nke "Digital Perspective" na ngalaba nke usoro , nka na na-eche .
Akụkọ ndụ dezie
Akwụkwọ Olivier Auber na 1960 na Sainte-Adresse na Normandy, France. Ọ bi ma na-arụ ọrụ na Paris na Brussels .
O akara akara ugo injinia na Master of Design site na Ecole Nationale Supérieure des Arts et Métiers . Nkà injinia ya lekwasịrị anya na ihe ndị na-ahụ ahụ anya ( holograms ) maka avionics ( enyo elu ). Ọpụrụiche izizi a na optics enwetala ya n'oge ọrụ ya dị ka onye injinia nyocha, nke mbụ na ngalaba avionics nke Thomson Csf (ugbu a Thales Group ) yana na CERN na Geneva .
Na 1984, ọ na-ewere ọnọdụ nke onye injinia na-ahụ maka mụrụ onwe onye maka Cité des Sciences et de l'Industrie (Paris), mgbe ahụ, a na-ewu ya, na-arụ ọrụ mbụ na nke ihe ngosi. , ọ bụrụ ngwa dị ka onye njikwa ọrụ maka Port na Shock nke ọtụtụ ihe ngosi na-adịgide adịgide na nwa oge. Dị ka ndị dị otú ahụ, n'etiti 1984 na 1996, o haziri dịruru ná njọ na-edu mme ihe iwu nke ọtụtụ nnukwu nkà na eze na mgbasa ozi na ike okwu dị iche iche dị ka: ọmụmụ, ọkụ na ọkụ, ọkụ. electro, symmetry na nkà na mgba, na-ama okwu omume . wdg N'ime oge a, o mekwara ụfọdụ ngosi maka ụlọ ọrụ omenala ndị ọzọ, dị ka Center Georges Pompidou, Institut du Monde Arabe, Palais de la Découverte . Ihe okike maka ngwere "Expressions et behaviours" ewe pụta na oge 1987, bụ akara ngosi dị mma ama na ọrụ ya, na-eduga ya site na omenala iwu na-emepe ụzọ na nka ọzọ na-ahụ maka niile nke Ụmụ mmadụ .
[1] [2]Na njedebe nke 1987, mgbe ya na Tod Machover ( MIT Medialab ) na Catherine Ikam (onye na-ese ihe) na-arụ maka nhazi nke VALIS, opera egwu oge a dabere na akwụkwọ Philip K. Dick, o mere ihe ga -abụ ọrụ a kacha mara amara., " Poietic Generator ", ihe ọrụ na-elekọta mmadụ n'efu maka ihe niile eji eme ike na-arụ ọrụ. N'afọ 1988, ọrụ a isi echiche nke nnukwu ọrụ, ụlọ na nkà na ẹzẹ, otu n'ime mmeri asaa nke mba ụwa maka "ihe ọmụmụ France-Japan" na Agwaetiti Awaji na Bay of Kobe, akwụkwọ n'okpuru Aegis nke François Mitterrand . Ihe ahụ a pụtara ìhè, mana e ndị ọrụ ya dị iche iche na Center Georges Pompidou (ihe ngosi "Communication et Monumentalité", 1989), Cité de Sciences et de l'Industrie (ihe ngosi "Machines à communiquer", 1994) na in veranda dị iche iche na mmemme nka egwu ARSLAB na 1995, ebe obodo Turin, Italy nyere Olivier Auber ihe nrite “nkà na mkpebi”. Ihe ngosi a "ARSLAB - The sense of virtuality", nke obodo Turin na-akwado - Onye na-abụ Fine Arts, nke Ars Technica na Extramuseum haziri ma Claude Faure, Maria Grazia Mattei na Franco Torriani akwụkwọ ya.
Na 1995 ka, a gosiri òkù ka ọ bụrụ Ecole Nationale Supérieure des Télécommunications (ugbu a Télécom ParisTech ) iji ọrụ ya, ọ bụghị naanị na netwọk, ọ bụghị naanị na-enye ọrụ, kama na-enye nhọrọ nke na-ama kaadị n' àmà ( Mbone ) nke nyere ya ọrụ ọrụ. ihe a na-ewere dị ka onye mbụ nke mkpokọta oge na-ahụ maka onye na-ahụ maka etiti ọ llaba
N'afọ 1996, o ụdị Poietic Generator maka webụ ka onye ọ elala nwee nwee ike ime ya. Ọtụtụ ngwa sochiri site na mmemme nka eletrọnịkị na n'akpa ndọrọ ndọrọ: Ljubljana (1998), X-00 (2000), ndu ndị mmadụ na Kọmputa IHM-UTC (2002, L3D Lab, Mahadum Colorado na Boulder na (2002), na ndị ọzọ .
Na 1997 ọ nna ụlọ A + H Culture, ya na Bernd Hoge (onye na-ese ụlọ ụlọ na onye na-eme ememe ime obodo), Emmanuel Mâa Berriet (onye ihe nke ọma ) na Philippe Braunstein ( onye na-ebe ihe nkiri ), iji ọrụ ndị . Otu n'ime ihe mbụ bụ ihe ngosi nka Nibelungen na Worms, Germany. Otu n'ime akpa n'ime ụlọ ihe ngosi mgbe ochie, ihe nrụnye eziokwu mebere "Akụkụkụ nke Nibelungs", nke sitere n'ike ike nsso Poietic Generator, ekiri n'ọtụtụ, ọkụ ISEA 2000 (Paris) na Boston CyberArts 2001 .
Na 2004, o achọpụta ya na onye na-ese ihe nkiri Yann Le Guennec bụ otu nchacha Aoptique nke akụkụ dataviz na ịntanetị. Na nke a, e duziri ọtụtụ ọrụ na saịtị ya na Fondation Internet Nouvelle Génération (FING), Orange Lab/France Telecom R&D na INRIA, nke butere site na 2005 na ndekọ nke ọtụtụ ngwa nlegharị anya. Ndị otu dị ka UNESCO, Ministry of Culture, na French Development Agency na-adụ ọdụ ụgbọ elu ha nke efu, otu, ma mgbaàmà na mepere emepe .
Na 2010 na 2011, o nyere aka n'ịmepụta oche nke transdisciplinary [1] na Telecom ParisTech na-etinye aka na "ichepụta echiche" site n'ibu nke Dassault Systèmes, Ubisoft, Orange Lab, Peugeot-Citroen, Alcatel Lucent, BNPtar Paribas, na Minatec.
Ebe ọ bụ na 2012, Olivier Auber kewara oge ya n'etiti ịrịba omenala na ọrụ nka, na nyọcha na mmepụta na Poietic Generator . Ọ na- nke aka na ọtụtụ ndị ọrụ na-arụ ọrụ, dị ka onye isi nke otu egwuregwu transdisciplinary "Evolution, Complexity and Cognition" [1] na Global Brain Institute [2] nke Francis Heylighen na-eduzi, na dịka onye na -arụsi ọrụ ike na P2P Foundation
Arụmụka gbasara ụkpụrụ dezie
Site na 1986, Olivier Auber chepụtara Poietic Generator dị ka poietic nke ụdị ọhụrụ, nke yiri echiche ndọrọ ndọrọ nke Renaissance : "nlegharị anya oge" na "iche echiche", nke o dere akwụkwọ [1] onye. Aree-enwe okwu n'akwara nke ọtụtụ ndị ọkà ihe na ndị ọkọ akụkọ ihe mere eme nke nkà na-akpa, Anne Cauquelin, [2] Don Foresta, [3] Gilbertto Prado, [4] [5] Mario Costa, [6] Caterina Davinio, [7] Jean-Paul Fourmentraux, [8] Louis-José Lestocart, [9] Elisa Giaccardi, [10] Edmond Couchot na Norbert Hillaire, [11] Jean-Michel Cornu, Franco Torriani, wdg.
nke Olivier Auber dere dezie
- " ANOPTIKON, une exploration de l'internet adịghị ahụ anya ", mbipụta FYP, 2019,
- " (a) akwụkwọ ego ego P2P ": Nyocha MCD, Jenụwarị 2015
- " IPv6, echiche ọhụrụ maka ịkparịta ụka n'Ịntanet ": ogbako na mkparịta ụka nke ụwa ọhụrụ mmepụta ihe, Center Georges Pompidou, Institute for Research and Innovation (IRI), Cap Digital, October 2008
- " Egwuregwu gafere, gbanwee ịntanetị ": ntinye aka na ndị na-ege ntị dijitalụ nke Secretariat na Economy Digital, June 2008
- " Ihe osise dijitalụ na mmepe mpaghara ": ọmụmụ ihe na-atụ anya nke ndị Observatory of Digital Territories OTEN nyere, 2008
- " Netwọk, ihe bara uru ", nnwere onwe n'okpuru nlọghachi, Maachị 2007
- " Site na Poietic Generator ruo Digital Perspective " na nyocha aesthetic, nke Anne Cauquelin duziri. Jenụwarị 2005
- " Aesthetics of Digital Perspective ", ogbako ARTMEDIA X, Paris 2004
na Olivier Auber dezie
- Ajụjụ ọnụ Judy Malloy, Social Media Archaeology and Poetics, na-aga n'ihu na mgbakwunye na MIT Press Book Networked Art Works: na Formative Years of the Internet, 2019.
- Olivier Auber / démarche générale . Nyocha teknụzụ, MIT, Maachị–Eprel 2008.
- Les nouvelles cimaises . Maison et Parcours Rimbaud, Sonovision, 2004.
- L'Invisible-Monument, Metz, tête de pont d'Aillagon, Libération, 10 Mee 2003.
Ntụaka dezie
- ↑ (1995) Arslab. The senses of virtual. RCS Libri & Grandi Opere.
- ↑ 1998, Arslab. I labirinti del corpo in gioco. published by hopefulmonster, Turin, Italy.