Bathsheba Okwenje

Onye uganda amụrụ na Rwanda na-ese ihe nkiri (amụrụ 1973)

 

Bathsheba Okwenje (amụrụ 1973) bụ onye na-ahụ anya na nrụnye onye Uganda, onye bụ onye nchoputa na onye otu onye na-ese ihe mkpokọta Radha May. O nwere Masters na Fine Art si Rhode Island School of Design. Tupu o tinye uche na ọrụ nka ya, Okwenje rụrụ ọrụ na United Nations afọ iri na ise. Ọrụ ya na-etinye aka na isiokwu nke njem, feminism, na esemokwu. Ọ na-eji foto dị ka akụkụ nke ụdị nrụnye ya, yana itinye aka na njikọ dị n'etiti ebe nchekwa na nka. [1][2][3][4]

Ọrụ ndị a họọrọ dezie

  • Kara Blackmore & Bathsheba Okwenje (2021) Na-arụzi ọnya nnọchite anya: Ụzọ nka nka na nka maka mgbanwe mgbe agha gasịrị, nka nka, 35:4, 103-122[5]
  • Papa, Elisa Giardina, Nupur Mathur, na Bathsheba Okwenje. "N'ajụjụ ọnụ na onye na-ese ihe Radha May: A Global Collective with a Single Identity. " Camera Obscura: Feminism, Culture, and Media Studies 31.3 (2016): 177-183.[6]

Ebem si dee dezie

  1. Ugandan female artists fight patriarchy in exhibition (en). The East African (2022-03-24). Retrieved on 2023-09-23.
  2. The Apollo 40 Under 40 Africa in focus: Teesa Bahana (en-US). Apollo Magazine (2020-12-04). Retrieved on 2023-09-23.
  3. Bruce-Lockhart (2022). Decolonising State and Society in Uganda: The Politics of Knowledge and Public Life (in en). Boydell & Brewer, 220. ISBN 978-1-84701-297-5. 
  4. Kiconco, Gloria. "Communicating academic research through art# LSEReturn." Africa at LSE (2018).
  5. Blackmore (2021-07-04). "Repairing Representational Wounds: Artistic and Curatorial Approaches to Transition After War" (in en). Critical Arts 35 (4): 103–122. DOI:10.1080/02560046.2021.1998174. ISSN 0256-0046. 
  6. Papa (2016-12-01). "An Interview with the Artist Radha May: A Global Collective with a Single Identity" (in en). Camera Obscura: Feminism, Culture, and Media Studies 31 (3): 177–183. DOI:10.1215/02705346-3662084. ISSN 0270-5346.